"Bruce," he said joyfully, rushing to dress, "Tilton's crazy to have me go to Africa with him. By Jove, I've half made up my mind! Give me a man's life; a life with men, out in the open—dogs and horses, and nothing but a few lions and fat elephants to bother you!"
When they arrived at Mrs. Fontaine's, they found, to their surprise, that Mrs. Kildair had been delayed by an automobile breaking down, and would only join them later at the opera.
Not one of them had the faintest suspicion, when later Mrs. Kildair calmly entered the box, that she had passed through two hours of supreme agitation that had left her torn between hope and dread—her whole future staked on one turn. Slade, face to face with the crisis that would determine whether he would survive as one of the figures of the financial world, or return staggering into the oblivion of the commonplace, had gone to see her in the afternoon.
Confronted, too, by the imminent outcome of a gamble that had absorbed all her ambitions and her hopes, she had recklessly thrown aside all the restraints which she had interposed between them; and by an impulse of daring which makes such women irresistible to men, having invented an excuse for Mrs. Fontaine, had kept him to dinner, trusting to his protection, insisting on his confidence.
Afterward she had driven him to the gray, prison-like structure which Gunther called a home, and seen him, defiant with a defiance she had breathed into him, with the scorn of the gambler who comes at length to the ultimate stake walk up the steps past the group of newspaper men, who, suddenly ceasing their chatter, huddled together and watched him with a unanimous craning of their heads.
CHAPTER XVII
Mrs. Craig Fontaine's box was in the lower grand tier in that favored circle which, in the present struggle for social supremacy, is the ultimate battlefield. Her entrance was one of the six important arrivals of the night which affected the immense audience with a curiosity only less intense than the entrance of the prima donna. Mrs. Fontaine, approaching the curtain that shut out the swimming vision of faces, took a preparatory glance, and as the row of boxes still showed a profusion of gaps, she delayed their entrance on the pretext of waiting for Mrs. Kildair. Besides Gunther and Beecher, there were in the party Lady Fitzhugh Mowbray, a young woman of the striking English blonde type, and the Duke de Taleza-Corti, of the royal house of Italy, a cosmopolite, dry, frail in body, affecting the English monocle, with a perpetual introspective smile on his keen lips.
The absence of Mrs. Kildair had left Mrs. Fontaine in very bad humor. Not only did she consider an invitation to her box as a sort of royal command that should take precedence over all calamities, and render accidents impossible, but she felt that she would miss the effect which her well-balanced party had promised. Fortunately, at that moment the door opened and Mrs. Kildair entered.
"My dear Mrs. Fontaine," she said immediately, in a voice that could not be heard by the rest, "the explanation I sent you is not true. It was not a question of a break-down. There are crises in our lives that cannot be put off. I can tell you no more than this, but I know you will understand that nothing except a matter of supreme importance would ever make me miss an invitation of yours."
Mrs. Fontaine looked at her and, seeing beyond the surface calm the fires of a profound agitation, was pleased that Mrs. Kildair had not sought an easy excuse, but had thrown herself on her woman's generosity. Also she perceived that she was strikingly dressed in a robe of that luminous, elusive green that breaks forth in the flickering driftwood, subdued and given distance by a network of black lace. It was exactly the contrast that she would have chosen as a foil to her own costume. She smiled, pressed her guest's hand sympathetically and signaled to Gunther, who removed her wrap.