Sassafras now came in for an exhibition of double shuffling and a visit to the punch-bowl. Mr. and Mrs. Teagan, already in uproarious spirits, followed with an Irish jig, whereupon Schneibel volunteered to give an exhibition of yodeling.

By this time, several facts were apparent to all: first, that Myrtle Popper and Minnie Brewster had eyes only for King O’Leary, of which he seemed quite unconscious, and second, that the introduction of Drinkwater into the group was destined to have disagreeable consequences. Tootles, who was good humor itself, was in a thundering rage at the lawyer’s continued attentions to Pansy, who, strange to say, seemed rather to relish them.

“Damn him! Why doesn’t he keep his eyes quiet?” he said to Belle Shaler, who was trying to pacify him. “What’s he trying to discover around here, anyhow? He’d better be careful what he does. Why—the cheeky blackguard!”

This exclamation was drawn from him by the sight of Drinkwater, who had maneuvered Pansy under the mistletoe (which every one seemed to have neglected up to the present), availing himself of this undeniable privilege. Tootles started forward angrily, and there is no telling what might have happened had not King O’Leary, who had noticed his fury, saved the day by catching Miss Quirley in the same predicament amid shrieks of laughter. Tootles, in the general scramble that now took place, was forced to relinquish his grouch, while King O’Leary, profiting by a favorable moment, caught Drinkwater’s arm not too gently and swung him around.

“Look out—you hurt!” said the latter, with an exclamation of pain.

“Sorry,” said King O’Leary, squeezing the harder, “but a word to you. Go easy—you’re trespassing—do you get me?”

To any other, Drinkwater might have returned an impudent answer—one indeed was on his lips; but he looked a second time at King O’Leary’s steady eyes, scowled, and turned away, for a while at least devoting himself elsewhere. Mr. Cornelius, who had witnessed the episode, came to King O’Leary and offered his hand with dignity.

“Thanks, Meester O’Leary. If you had not do it, I should have! The man is canaille!”

To the surprise of every one, Flick volunteered to sing a comic song, at the conclusion of which it was voted, on Tootles’ motion, that it was the sentiment of the assemblage that he should never be permitted a second transgression. Millie Brewster, to offset Flick’s offending, was prevailed upon to sing, and chose to render “The Lass o’ Bonnie Dundee,” which she sang in such a sweet if slight voice that a sudden gloom fell about the room, as though through the fragile illusion of jollity they had so courageously built up, the hard, lonely facts of their lives had suddenly struck in. Mr. Cornelius was tugging at his mustache; Tootles, whose cup was overflowing anyhow, was staring glumly ahead, while through the heavy silence could be heard the sniffle of Miss Quirley and the throaty sob of Madame Probasco, who had become more and more human.

“I, too, will sing a sentimental ballad,” said Schneibel, his red-bobbed head glowing with redder enthusiasm.