“Don’t come. I’m going to the bath. A—did you hear me say anything particular?”
“Do you mean when I met you?” answered Elaine. “Yes—no—that is,—not exactly, papa.”
“Then don’t dare to ask me any questions, for I won’t have it.” And another door slammed.
“What did papa mean?” said Miss Elaine, once more.
Her bright brown eyes were looking at the floor as she walked slowly on towards the light, and her lips, which had been a little open so that you could have seen what dainty teeth she had, shut quite close. In fact, she was thinking, which was something you could seldom accuse her of. I do not know exactly what her thoughts were, except that the words “dragon” and “sacrifice” kept bumping against each other in them continually; and whenever they bumped, Miss Elaine frowned a little deeper, till she really looked almost solemn. In this way she came under the hanging lamp and entered the door in front of which it shone.
This was the ladies’ library, full of the most touching romances about Roland, and Walter of Aquitaine, and Sir Tristram, and a great number of other excitable young fellows, whose behaviour had invariably got them into dreadful difficulties, but had as invariably made them, in the eyes of every damsel they saw, the most attractive, fascinating, sweet, dear creatures in the world. Nobody ever read any of these books except Mrs. Mistletoe and the family Chaplain. These two were, indeed, the only people in the household that knew how to read,—which may account for it in some measure. It was here that Miss Elaine came in while she was thinking so hard, and found old Mistletoe huddled to the fire. She had been secretly reading the first chapters of a new and pungent French romance, called “Roger and Angelica,” that was being published in a Paris and a London magazine simultaneously. Only thus could the talented French author secure payment for his books in England; for King John, who had recently murdered his little nephew Arthur, had now turned his attention to obstructing all arrangements for an international copyright. In many respects, this monarch was no credit to his family.
When the Governess heard Miss Elaine open the door behind her, she thought it was the family Chaplain, and, quickly throwing the shocking story on the floor, she opened the household cookery-book,—an enormous volume many feet square, suspended from the ceiling by strong chains, and containing several thousand receipts for English, French, Italian, Croatian, Dalmatian, and Acarnanian dishes, beginning with a poem in blank verse written to his confectioner by the Emperor Charles the Fat. German cooking was omitted.