“Change is what I don't get,” sighed Dean Drake. In a few miles, however, before they had come to the ferry over Snake River, the recent leave-taking and his employer's kind but dominating repression lifted from the boy's spirit. His gray eye wakened keen again, and he began to whistle light opera tunes, looking about him alertly, like the sparrow-hawk that he was. “Ever see Jeannie Winston in 'Fatinitza'?” he inquired of Mr. Bolles.
The school-master, with a startled, thankful countenance, stated that he had never.
“Ought to,” said Drake.
“You a man? that can't be true!
Men have never eyes like you.”
“That's what the girls in the harem sing in the second act. Golly whiz!” The boy gleamed over the memory of that evening.
“You have a hard job before you,” said the school-master, changing the subject.
“Yep. Hard.” The wary Drake shook his head warningly at Mr. Bolles to keep off that subject, and he glanced in the direction of slumbering Uncle Pasco. Uncle Pasco was quite aware of all this. “I wouldn't take another lonesome job so soon,” pursued Drake, “but I want the money. I've been working eleven months along the Owyhee as a sort of junior boss, and I'd earned my vacation. Just got it started hot in Portland, when biff! old Vogel telegraphs me. Well, I'll be saving instead of squandering. But it feels so good to squander!”
“I have never had anything to squander,” said Bolles, rather sadly.
“You don't say! Well, old man, I hope you will. It gives a man a lot he'll never get out of spelling-books. Are you cold? Here.” And despite the school-master's protest, Dean Drake tucked his buffalo coat round and over him. “Some day, when I'm old,” he went on, “I mean to live respectable under my own cabin and vine. Wife and everything. But not, anyway, till I'm thirty-five.”
He dropped into his opera tunes for a while; but evidently it was not “Fatinitza” and his vanished holiday over which he was chiefly meditating, for presently he exclaimed: “I'll give them a shooting-match in the morning. You shoot?”