He spoke fervently of various local enterprises, his failures, his hopes, his achievements; and I left his house honoring him, but amazed—his heart was so wide and his head so narrow; a man who would purify with simultaneous austerity the morals of Lochinvar and of Sharon.
“About once a month,” said Stuart, “I run against a new side he is blind on. Take his puzzlement as to whether they prefer verse or prose. Queer and dumb of him that, you see. Sharon does not know the difference between verse and prose.”
“That's going too far,” said I.
“They don't,” he repeated, “when it comes to strawberry night. If the piece is about something they understand, rhymes do not help or hinder. And of course sex is apt to settle the question.”
“Then I should have thought Leola—” I began.
“Not the sex of the speaker. It's the listeners. Now you take women. Women generally prefer something that will give them a good cry. We men want to laugh mostly.”
“Yes,” said I; “I would rather laugh myself, I think.”
“You'd know you'd rather if you had to live in Sharon. The laugh is one of the big differences between women and men, and I would give you my views about it, only my Sunday-off time is up, and I've got to go to telegraphing.”
“Our ways are together,” said I. “I'm going back to the railroad hotel.”
“There's Guy,” continued Stuart. “He took the prize on 'The Jumping Frog.' Spoke better than Leola, anyhow. She spoke 'The Wreck of the Hesperus.' But Guy had the back benches—that's where the men sit—pretty well useless. Guess if there had been a fire, some of the fellows would have been scorched before they'd have got strength sufficient to run out. But the ladies did not laugh much. Said they saw nothing much in jumping a frog. And if Leola had made 'em cry good and hard that night, the committee's decision would have kicked up more of a fuss than it did. As it was, Mrs. Mattern got me alone; but I worked us around to where Mrs. Jeffries was having her ice-cream, and I left them to argue it out.”