“No, I'll not want any more books,” he said, “till yu' come back.” And then he made cheerfulness. “It's just the other way round!” said he.
“What is the other way round?”
“Why, last time it was me that went travelling, and you that stayed behind.”
“So it was!” And here she gave him a last scratch. “But you'll be busier than ever,” she said; “no spare time to grieve about me!”
She could wound him, and she knew it. Nobody else could. That is why she did it.
But he gave her something to remember, too.
“Next time,” he said, “neither of us will stay behind. We'll both go together.”
And with these words he gave her no laughing glance. It was a look that mingled with the words; so that now and again in the train, both came back to her, and she sat pensive, drawing near to Bennington and hearing his voice and seeing his eyes.
How is it that this girl could cry at having to tell Sam Bannett she could not think of him, and then treat another lover as she treated the Virginian? I cannot tell you, having never (as I said before) been a woman myself.
Bennington opened its arms to its venturesome daughter. Much was made of Molly Wood. Old faces and old places welcomed her. Fatted calves of varying dimensions made their appearance. And although the fatted calf is an animal that can assume more divergent shapes than any other known creature,—being sometimes champagne and partridges, and again cake and currant wine,—through each disguise you can always identify the same calf. The girl from Bear Creek met it at every turn.