[Scott, Thomas], commentator, born in Lincolnshire; became rector of Aston Sandford, Bucks; was a Calvinist in theology, author of the "Force of Truth" and "Essays on Religion," the work by which he is best known being his "Commentary on the Bible," a scholarly exposition (1747-1821).
[Scott, Sir Walter], the great romancer, born in Edinburgh, through both father and mother of Scottish Border blood; his father, a lawyer, a man "who passed from the cradle to the grave without making an enemy or losing a friend," his mother a little kindly woman, full of most vivid memories, awakening an interest in him to which he owed much; was a healthy child, but from teething and other causes lost the use of his right limb when 18 months old, which determined, to a marked extent, the course of his life; spent many of the months of his childhood in the country, where he acquired that affection for all natural objects which never left him, and a kindliness of soul which all the lower animals that approached him were quick to recognise; he was from the first home-bred, and to realise the like around his own person was his fondest dream, and if he failed, as it chanced he did, his vexation was due not to the material loss it involved, but to the blight it shed on his home life and the disaster on his domestic relationships; his school training yielded results of the smallest account to his general education, and a writer of books himself, he owed less to book-knowledge than his own shrewd observation; he proceeded from the school (the High School, it was) at 15 to his father's office and classes at the University, and at both he continued to develop his own bent more than the study of law or learning; at his sixteenth year the bursting of a blood-vessel prostrated him in bed and enforced a period of perfect stillness, but during this time he was able to prosecute sundry quiet studies, and laid up in his memory great stores of knowledge, for his mind was of that healthy quality which assimilated all that was congenial to it and let all that did not concern it slip idly through, achieving thereby his greatest victory, that of becoming an altogether whole man. Professionally he was a lawyer, and a good lawyer, but the duties of his profession were not his chief interest, and though he received at length a sheriffship worth £300 a year, and a clerkship to the court worth £1500, he early turned his mind to seek promotion elsewhere, and chose a literary career. His first literary efforts were translations in verse from the German, but his first great literary success was the publication, in 1802, of "The Minstrelsy of the Scottish Border," and in this he first gave evidence both of the native force and bent of his genius; it gave the keynote of all that subsequently proceeded from his pen. This was followed the same year by "Cadzow Castle," a poem instinct with military ardour, and this by "The Lay of the Last Minstrel" in 1805; the first poem which gained him popular favour, by "Marmion" in 1808, and by "The Lord of the Isles" in 1814. Much as the rise of Scott's fame was owing to his poetical works, it is on the ground of his prose writings, as the freest and fullest exhibition of his genius, that it is now mainly founded. The period of his productivity in this line extended over 18 years in all, commencing with the year 1814. This was the year of the publication of "Waverley," which was followed by that of "Guy Mannering," "The Antiquary," "Rob Roy," "Old Mortality," and "The Heart of Midlothian" in the year 1819, when he was smitten down by an illness, the effects of which was seen in his after-work. "The Bride of Lammermoor," "Ivanhoe," "The Monastery," "The Abbot," "Kenilworth," and "The Pirate" belong to the years that succeeded that illness, and all more or less witness to its sorrowful effects, of which last "The Abbot" and "The Monastery" are reckoned the best, as still illustrating the "essential powers" of Scott, to which may be added "Redgauntlet" and "The Fortunes of Nigel," characterised by Ruskin as "quite noble ones," together with "Quentin Durward" and "Woodstock," as "both of high value." Sir Walter's own life was, in its inner essence, an even-flowing one, for there were in it no crises such as to require a reversal of the poles of it, and a spiritual new birth, with crucifixion of the old nature, and hence it is easily divisible, as it has been divided throughout, into the three natural periods of growth, activity, and death. His active life, which ranges from 1796 to 1826, lay in picturing things and traditions of things as in youth, a 25 years' period of continuous crescent expansiveness, he had learned to view them, and his slow death was the result, not of mere weariness in working, but of the adverse circumstances that thwarted and finally wrecked the one unworthy ambition that had fatally taken possession of his heart. Of Scott Ruskin says, "What good Scott had in him to do, I find no words full enough to express... Scott is beyond comparison the greatest intellectual force manifested in Europe since Shakespeare... All Scott's great writings were the recreations of a mind confirmed in dutiful labour, and rich with organic gathering of boundless resource" (1771-1832).
[Scott, William Bell], painter and poet, brother of David Scott, born in Edinburgh; did criticism and wrote on artists; is best known by his autobiography (1811-1890).
[Scranton] (102), capital of Lackawanna County, Pennsylvania, on the Lackawanna River, 144 m. NW. of New York; does a large trade in coal, and is the centre of a busy steel, iron, and machinery industry.
[Scribe, Eugene], French dramatist, a prolific and a successful, who produced plays for half a century, well adapted for the stage, if otherwise worthless (1791-1861).
[Scribes, The] (i. e. writers), a non-priestly class among the Jews devoted to the study and exposition of the Law, and who rose to a position of importance and influence in the Jewish community, were known in the days of Christ also by the name of Lawyers, and were addressed as Rabbis; their disciples were taught to regard them, and did regard them with a reverence superior to that paid to father or mother, the spiritual parent being reckoned as much above the natural, as the spirit and its interests are above the flesh and its interests.
[Scriblerus, Martinus], the subject of a fictitious memoir published in Pope's works and ascribed to [Arbuthnot] (q. v.), intended to ridicule the pedantry which affects to know everything, but knows nothing to any purpose.
[Scrivener, Frederick Henry Ambrose], New Testament critic, born at Bermondsey, Surrey, educated at Cambridge; head-master of Falmouth School from 1846 to 1856, and after 15 years' rectorship of Gerrans, became vicar of Hendon and prebendary of Exeter; his "Plain Introduction to the Criticism of the New Testament" ranks as a standard work; was editor of the Cambridge Paragraph Bible, and one of the New Testament revisers (1813-1891).
[Scroggs, Sir William], an infamous Judge of Charles II.'s reign, who became Chief-Justice of the King's Bench in 1678, and whose name is associated with all manner of injustice and legal corruption; was impeached in 1680, and pensioned off by the king; d. 1683.
[Scudéry, Madeleine de], French novelist, born at Havre, came to Paris in her youth, and there lived to an extreme old age; was a prominent figure in the social and literary life of the city; collaborated at first with her brother Georges, but subsequently was responsible herself for a set of love romances of an inordinate length, but of great popularity in their day, e. g. "Le Grand Cyrus" and "Clélie," &c., in which a real gift for sparkling dialogue is swallowed up in a mass of improbable adventures and prudish sentimentalism (1607-1701).