[Tendon Achilles], name given to the tendon of the leg above the heel, so called as being the tendon by which Thetis held Achilles when she dipped him in the Styx, and where alone he was in consequence vulnerable.
[Tenedos], a rocky but fertile little island belonging to Turkey, in the Ægean, 3 m. off the mainland of Turkey in Asia, and 12 m. S. of the entrance to the Dardanelles; it was the place the Greeks made a feint they had returned to during the Trojan War.
[Tenerife] (108), the largest of the [Canary Islands] (q. v.), of volcanic formation, with cliff-bound coast; richly fruit-bearing; chief exports, cochineal, tobacco, and wine; capital, [Santa Cruz] (q. v.); most notable natural feature is the famous Peak of Tenerife, a conical-shaped dormant volcano, 12,000 ft. in height, at the summit of which there is a crater 300 ft. in circuit; last eruption took place in 1798.
[Teniers, David], the elder (1582-1649), and David Teniers, the younger (1610-1690), father and son, both famous masters of the Flemish school of painting, and natives of Antwerp; the greater genius belonged to the younger, who carried his father's gift of depicting rural and homely life to a higher pitch of perfection.
[Tennant, William], a minor Scottish poet, born at Anstruther, Fife; was educated at St. Andrews, and after a short experience of business life betook himself to teaching in 1813, filling posts at Dunino, Lasswade, and Dollar; his most notable poem, "Anster Fair" (1812), was warmly received, and in 1835 his knowledge of Eastern languages won him the chair of Oriental Languages in St. Andrews (1784-1848).
[Tennemann, W. Gottlieb], German historian of philosophy; was professor at Marburg; wrote both a history and a manual of philosophy (1761-1819).
[Tennessee] (1,768, of which 434 are coloured), one of the central States of the American Union, lies S. of Kentucky, and stretches from the Mississippi (W.) to North Carolina (E.); is one-third larger than Ireland; politically it is divided into three districts with characteristic natural features; East Tennessee, mountainous, with ridges of the Appalachians, possessing inexhaustible stores of coal, iron, and copper; Middle Tennessee, an undulating, wheat, corn, and tobacco-growing country; and West Tennessee, with lower-lying plains growing cotton, and traversed by the Tennessee River, the largest affluent of the Ohio; Nashville is the capital and largest city; became a State in 1796.
[Tenniel, John], a celebrated cartoonist who, since 1864, has week by week drawn the chief political cartoon in Punch, the merits of which are too well known to need comment; illustrations to "Æsop's Fables," "Ingoldsby Legends," "Alice in Wonderland," and other works, reveal the grace and delicacy of his workmanship; born in London, and practically a self-taught artist; joined the staff of Punch in 1851; was knighted in 1893; b. 1820.
[Tennyson, Alfred, Lord], poet-laureate, born at Somersby, in Lincolnshire, son of a clergyman, and of aristocratic descent; was educated at the grammar school of Louth and at Trinity College, Cambridge, which latter he left without taking a degree; having already devoted himself to the "Ars Poetica," an art which he cultivated more and more all his life long; entered the university in 1828, and issued his first volume of poems in 1830, though he had four years previously contributed to a small volume conjointly with a brother; to the poems of 1830 he added others, and published them in 1833 and 1842, after which, endowed by a pension from the Civil List of £200, he produced the "Princess" in 1847, and "In Memoriam" in 1850; was in 1851 appointed to the laureateship, and next in that capacity wrote his "Ode on the Death of the Duke of Wellington"; in 1855 appeared his "Maud," in 1859 the first four of his "Idylls of the King," which were followed by "Enoch Arden" and the "Northern Farmer" in 1864, and by a succession of other pieces too numerous to mention here; he was raised to the peerage in 1884 on the recommendation of Mr. Gladstone; he was a poet of the ideal, and was distinguished for the exquisite purity of his style and the harmony of his rhythm; had a loving veneration for the past, and an adoring regard for everything pure and noble, and if he indulged in a vein of sadness at all, as he sometimes did, it was when he saw, as he could not help seeing, the feebler hold regard for such things had on the men and women of his generation than the worship of Mammon; Carlyle thought affectionately but plaintively of him, "One of the finest-looking men in the world," he writes to Emerson; "never had such company over a pipe!... a truly interesting son of earth and son of heaven ... wanted a task, with which that of spinning rhymes, and naming it 'art' and 'high art' in a time like ours, would never furnish him" (1809-1892).