[Elizabethan Architecture], a term applied to the style of architecture which flourished in the reigns of Elizabeth and James I., and which was characterised by a revival of classic designs wrought into the decadent Gothic style. Lord Salisbury's house at Hatfield is a good specimen of this mixed style.
[Elizabethan Era], according to Carlyle, "the outcome and flowerage of all which had preceded it... in that old age lies the only true poetical literature of England. The poets of the last ago took to pedagogy (Pope and his school), and shrewd men they were; those of the present age to ground-and-lofty tumbling; and it will do your heart good," he adds, "to see how they vault."
[Elkargeh] (4), a town in the great oasis in the Libyan Desert; has ancient remains, and is an important resting stage in crossing the desert.
[Ellenborough, Edward Law, Earl of], an English Conservative statesman, son of Baron Ellenborough, Lord Chief-Justice of England; entered Parliament in 1813; held office under the Duke of Wellington and Sir Robert Peel; appointed Governor-General of India (1841); recalled in 1844; subsequently First Lord of the Admiralty and Indian Minister under Lord Derby (1790-1871).
[Ellenrieder, Marie], a painter of great excellence, born at Constance; studied in Rome; devoted herself to religious subjects, such as "Christ Blessing Little Children," "Mary and the Infant Jesus," &c. (1771-1863).
[Ellesmere, Francis Egerton, Earl of], statesman and author, born in London, second son of the Duke of Sutherland; was Secretary for Ireland and War Secretary; author of some books of travel, and a translation of "Faust" (1800-1857).
[Elliot, George Augustus]. See [Heathfield].
[Elliotson, John], an English physician, born in London; lost his professorship in London University on account of employing mesmerism for medical purposes; promoted clinical instruction and the use of the stethoscope; founded the Phrenological Society (1791-1868).
[Elliott, Ebenezer], poet, known popularly as the "Corn-Law Rhymer," born in Rotherham parish, Yorkshire; an active worker in iron; devoted his leisure to poetic composition; proved a man that could handle both pen and hammer like a man; wrote the "Corn-Law Rhymes" and other pieces; his works have been "likened to some little fraction of a rainbow, hues of joy and harmony, painted out of troublous tears; no full round bow shone on by the full sun, and yet, in very truth, a little prismatic blush, glowing genuine among the wet clouds, ... proceeds from a sun cloud-hidden, yet indicates that a sun does shine...; a voice from the deep Cyclopean forges where Labour, in real soot and sweat, beats with his thousand hammers, doing personal battle with Necessity and her brute dark powers to make them reasonable and serviceable" (1781-1849).