So we drove off.
We hardly exchanged a syllable. No one has much to say just before a dance.
I looked at Eva out of the corner of my eye, trying to discover just what it was in her that attracted men. I knew her charm, though I flattered myself that I was proof against it. I wanted to analyse it.
Her photograph is on the table before me as I write. I look at it critically. She is not what I should describe as exactly a type of English beauty. You know the sort of beauty I mean? Queenly, statuesque, a daughter of the gods, divinely fair. Her charm is not in her features. It is in her expression.
Tonight, for instance, as we drove to the ball, there sparkled in her eyes a light such as I had never seen in them before. Every girl is animated at a ball, but this was more than mere animation. There was a latent devilry about her; and behind the sparkle and the glitter a film, a mist, as it were, which lent almost a pathos to her appearance. The effect it had on me was to make me tend to forget that I hated her.
We arrive. I mutter something about having the pleasure.
Eva says I can have the last two waltzes.
Here comes a hiatus. I am told that I was seen dancing, was observed to eat an excellent supper, and was noticed in the smoking-room with a cigarette in my mouth.
At last the first of my two waltzes. The Eton Boating Song—one of my favourites. I threaded my way through the room in search of her. She was in neither of the doorways. I cast my eyes about the room. Her costume was so distinctive that I could hardly fail to see her.
I did see her.