“Their style,” he said loudly, so that they could all hear, “their style. It’s their style that astonishes me.”

I hustled him away as soon as I could, but the mischief was done.

Style ran through Hatton’s Club boys like an epidemic. Carnation Hall fairly buzzed with style. An apology for a blow which landed on your chest with the delicacy of an Agag among butterflies was extolled to the skies because it was a stylish blow. When Alf Joblin, a recruit, sent Walter Greenway sprawling with a random swing on the mark, there was a pained shudder. Not only Walter Greenway, but the whole club explained to Alf that the swing was a bad swing, an awful violation of style, practically a crime. By the time they had finished explaining, Alf was dazed; and when invited by Walter to repeat the hit with a view to his being further impressed with its want of style, did so in such half-hearted fashion that Walter had time to step stylishly aside and show Alf how futile it is to be unscientific.

To the club this episode was decently buried in an unremembered past. To me, however, it was significant, though I did not imagine it would ever have the tremendous sequel which was brought about by the coming of Thomas Blake.

Fate never planned a coup so successfully. The psychology of Blake’s arrival was perfect. The boxers of Carnation Hall had worked themselves into a mental condition which I knew was as ridiculous as it was dangerous. Their conceit and their imagination transformed the hall into a kind of improved National Sporting Club. They went about with an air of subdued but tremendous athleticism. They affected a sort of self-conscious nonchalance. They adopted an odiously patronising attitude towards the once popular game of backgammon. I daresay that picture is not yet forgotten where a British general, a man of blood and iron, is portrayed as playing with a baby, to the utter neglect of a table full of important military dispatches. Well, the club boys, to a boy, posed as generals of blood and iron when they condescended to play backgammon. They did it, but they let you see that they did not regard it as one of the serious things of life.

Also, knowing that each other’s hitting was so scientific as to be harmless, they would sometimes deliberately put their eye in front of their opponent’s stylish left, in the hope that the blow would raise a bruise. It hardly ever did. But occasionally——! Oh, then you should have seen the hero-with-the-quiet-smile look on their faces as they lounged ostentatiously about the place. In a word, they were above themselves. They sighed for fresh worlds to conquer. And Thomas Blake supplied the long-felt want.

Personally, I did not see his actual arrival. I only saw his handiwork after he had been a visitor awhile within the hall. But, to avoid unnecessary verbiage and to avail myself of the privilege of an author, I will set down, from the evidence of witnesses, the main points of the episode as though I myself had been present at his entrance.

He did not strike them, I am informed, as a particularly big man. He was a shade under average height. His shoulders seemed to them not so much broad as “humpy.” He rolled straight in from the street on a wet Saturday night at ten minutes to nine, asking for “free tea.”

I should mention that on certain Fridays Hatton gave a free meal to his parishioners on the understanding that it was rigidly connected with a Short Address. The preceding Friday had been such an occasion. The placards announcing the tea were still clinging to the outer railings of the hall.

When I said that Blake asked for free tea, I should have said, shouted for free tea. He cast one decisive glance at Hatton’s placards, and rolled up. He shot into the gate, up the steps, down the passage, and through the door leading into the big corrugated-iron hall which I used for my lessons. And all the time he kept shouting for free tea.