"That's 'ow it is, you see. You pretty soon gets sick of pulling off good things, if you ain't got nobody to pat you on the back for doing of it. Why, when I was single, if I got 'old of a sure thing for the three o'clock race and picked up a couple of quid, the thrill of it didn't seem to linger somehow. But now, if some of the gentlemen that come 'ere put me on to something safe and I make a bit, 'arf the fascination of it is taking the stuff 'ome and rolling it on to the kitchen table and 'aving 'er pat me on the back."
"How about when you lose?"
"I don't tell 'er," said Mac simply.
"You seem to understand the art of being happy, Mac."
"It ain't an art, sir. It's just gettin' 'old of the right little woman, and 'aving a nice little 'ome of your own to go back to at night."
"Mac," said Billie admiringly, "you talk like a Tin Pan Alley song hit, except that you've left out the scent of honeysuckle and Old Mister Moon climbing up over the trees. Well, you're quite right. I'm all for the simple and domestic myself. If I could find the right man, and he didn't see me coming and duck, I'd become one of the Mendelssohn's March Daughters right away. Are you going, George? There's a rehearsal at two-thirty for cuts."
"I want to get the evening papers and send off a cable or two. See you later."
"We shall meet at Philippi."
Mac eyed George's retreating back till he had turned the corner.
"A nice pleasant gentleman, Mr. Bevan," he said. "Too bad 'e's got the pip the way 'e 'as, just after 'avin' a big success like this 'ere. Comes of bein' a artist, I suppose."