"Medium."
"All right. I'll be getting on, then."
"I should."
And we parted.
Fellows who know all about that sort of thing—detectives, and so on—will tell you that the most difficult thing in the world is to get rid of the body. I remember, as a kid, having to learn by heart a poem about a bird by the name of Eugene Aram, who had the deuce of a job in this respect. All I can recall of the actual poetry is the bit that goes:
Tum-tum, tum-tum, tum-tumty-tum,
I slew him, tum-tum-tum!
But I recollect that the poor blighter spent much of his valuable time dumping the corpse into ponds and burying it, and what not, only to have it pop out at him again. It was about an hour after I had shoved the parcel into the drawer when I realised that I had let myself in for just the same sort of thing.
Florence had talked in an airy sort of way about destroying the manuscript; but when one came down to it, how the deuce can a chap destroy a great chunky mass of paper in somebody else's house in the middle of summer? I couldn't ask to have a fire in my bedroom, with the thermometer in the eighties. And if I didn't burn the thing, how else could I get rid of it? Fellows on the battle-field eat dispatches to keep them from falling into the hands of the enemy, but it would have taken me a year to eat Uncle Willoughby's Recollections.
I'm bound to say the problem absolutely baffled me. The only thing seemed to be to leave the parcel in the drawer and hope for the best.
I don't know whether you have ever experienced it, but it's a dashed unpleasant thing having a crime on one's conscience. Towards the end of the day the mere sight of the drawer began to depress me. I found myself getting all on edge; and once when Uncle Willoughby trickled silently into the smoking-room when I was alone there and spoke to me before I knew he was there, I broke the record for the sitting high jump.