"Who," enquired Jill, anxious to be abreast of the conversation, "is Ike?"
"Mr. Goble. Where I've just got work. Goble and Cohn, you know."
"I never heard of them!"
The young man extended his hand.
"Put it there!" he said. "They never heard of me! At least, the fellow I saw when I went down to the office hadn't! Can you beat it!"
"Oh, did you go down there, too?" asked Nelly.
"Sure. Joe wanted to get in another show on Broadway. He'd sort of got tired of vodevil. Say, I don't want to scare you, Nelly, but, if you ask me, that show they're putting out down there is a citron! I don't think Ike's got a cent of his own money in it. My belief is that he's running it for a lot of amateurs. Why, say, listen! Joe and I blow in there to see if there's anything for us, and there's a tall guy in tortoise-shell cheaters sitting in Ike's office. Said he was the author and was engaging the principals. We told him who we were, and it didn't make any hit with him at all. He said he had never heard of us. And, when we explained, he said no, there wasn't going to be any of our sort of work in the show. Said he was making an effort to give the public something rather better than the usual sort of thing. No specialities required. He said it was an effort to restore the Gilbert and Sullivan tradition. Say, who are these Gilbert and Sullivan guys, anyway? They get written up in the papers all the time and I never met any one who'd run across them. If you want my opinion, that show down there is a comic opera!"
"For heaven's sake!" Nelly had the musical comedy performer's horror of the older-established form of entertainment. "Why, comic opera died in the year one!"
"Well, these guys are going to dig it up. That's the way it looks to me." He lowered his voice. "Say, I saw Clarice last night," he said in a confidential undertone. "It's all right."
"It is?"