"Er—"
She raised a pair of blue eyes, devoid of all expression save a faint suggestion of surprise, gazed through me for a moment at some object a couple of thousand miles away, and lowered them again, leaving me with a vague feeling that there was something wrong with my personal appearance.
Very calmly she moved to the edge of the cliff, arranged her camp stool, and sat down. Neither of us spoke a word. I watched her while she filled a little mug with water from a little bottle, opened her paint box, selected a brush, and placed her sketching block in position.
She began to paint.
Now, by all the laws of good taste, I should before this have made a dignified exit. When a lady shows a gentleman that his presence is unwelcome, it is up to him, as an American friend of mine pithily observed to me on one occasion, to get busy and chase himself, and see if he can make the tall timber in two jumps. In other words, to retire. It was plain that I was not regarded as an essential ornament of this portion of the Ware Cliff. By now, if I had been the perfect gentleman, I ought to have been a quarter of a mile away.
But there is a definite limit to what a man can do. I remained.
The sinking sun flung a carpet of gold across the sea. Phyllis's hair was tinged with it. Little waves tumbled lazily on the beach below. Except for the song of a distant blackbird running through its repertory before retiring for the night, everything was silent.
Especially Phyllis.
She sat there, dipping and painting and dipping again, with never a word for me—standing patiently and humbly behind her.
"Miss Derrick," I said.