"It will," thought Jerry Garnet grimly, "but it will have to go on wanting as far as I'm concerned."
The next entry he found was a perfectly inscrutable lyric outburst.
There are moments of annoyance,
Void of every kind of joyance,
In the complicated course of Man's affairs;
But the very worst of any
He experiences when he
Meets a young, but active, lion on the stairs.
Sentiment unexceptionable. But as to the reason for the existence of the fragment, his mind was a blank. He shut the book impatiently. It was plain that no assistance was to be derived from it.
His thoughts wandered back to the idea of leaving London. London might have suited Dr. Johnson, but he had come to the conclusion that what he wanted to enable him to give the public of his best (as the reviewer of the Academy, dealing with his last work, had expressed a polite hope that he would continue to do) was country air. A farmhouse by the sea somewhere ... cows ... spreading boughs ... rooks ... brooks ... cream. In London the day stretches before a man, if he has no regular and appointed work to do, like a long, white, dusty road. It seems impossible to get to the end of it without vast effort. But in the country every hour has its amusements. Up with the lark. Morning dip. Cheery greetings. Local color. Huge breakfast. Long walks. Flannels. The ungirt loin. Good, steady spell of work from dinner till bedtime. The prospect fascinated him. His third novel was already in a nebulous state in his brain. A quiet week or two in the country would enable him to get it into shape.
He took from the pocket of his blazer a letter which had arrived some days before from an artist friend of his who was on a sketching tour in Devonshire and Somerset. There was a penciled memorandum on the envelope in his own handwriting:
Mem. Might work K. L.'s story about M. and the W—s's into comic yarn for one of the weeklies.
He gazed at this for a while, with a last hope that in it might be contained the germ of something which would enable him to turn out a morning's work; but having completely forgotten who K. L. was, and especially what was his (or her) story about M., whoever he (or she) might be, he abandoned this hope and turned to the letter in the envelope.
The earlier portions of the letter dealt tantalizingly with the scenery. "Bits," come upon by accident at the end of disused lanes and transferred with speed to canvas, were described concisely but with sufficient breadth to make Garnet long to see them for himself. There were brief résumés of dialogues between Lickford (the writer) and weird rustics. The whole letter breathed of the country and the open air. The atmosphere of Garnet's sitting room seemed to him to become stuffier with every sentence he read.
The postscript interested him.