“Indeed?” he said, when Mr. Downing had finished.
“Indeed? Dear me! It certainly seems—It is a curiously well-connected thread of evidence. You are certain that there was red paint on this boot you discovered in Mr. Outwood’s house?”
“I have it with me. I brought it on purpose to show to you. Smith!”
“Sir?”
“You have the boot?”
“Ah,” said the headmaster, putting on a pair of pince-nez, “now let me look at—This, you say, is the—? Just so. Just so. Just.... But, er, Mr. Downing, it may be that I have not examined this boot with sufficient care, but—Can you point out to me exactly where this paint is that you speak of?”
Mr. Downing stood staring at the boot with a wild, fixed stare. Of any suspicion of paint, red or otherwise, it was absolutely and entirely innocent.
[ CHAPTER L
THE DESTROYER OF EVIDENCE]
The boot became the centre of attraction, the cynosure of all eyes. Mr. Downing fixed it with the piercing stare of one who feels that his brain is tottering. The headmaster looked at it with a mildly puzzled expression. Psmith, putting up his eyeglass, gazed at it with a sort of affectionate interest, as if he were waiting for it to do a trick of some kind.
Mr. Downing was the first to break the silence.