He had been long enough in the house to know the way, in spite of the fact that all was darkness. Down the stairs, along the passage to the left, and up a few more stairs at the end. The beauty of the position was that the dining-room had two doors, one leading into Wain’s part of the house, the other into the boys’ section. Any interruption that there might be would come from the further door.
To make himself more secure he locked that door; then, turning up the incandescent light, he proceeded to look about him.
Mr. Wain’s dining-room repaid inspection. There were the remains of supper on the table. Mike cut himself some cheese and took some biscuits from the box, feeling that he was doing himself well. This was Life. There was a little soda-water in the syphon. He finished it. As it swished into the glass, it made a noise that seemed to him like three hundred Niagaras; but nobody else in the house appeared to have noticed it.
He took some more biscuits, and an apple.
After which, feeling a new man, he examined the room.
And this was where the trouble began.
On a table in one corner stood a small gramophone. And gramophones happened to be Mike’s particular craze.
All thought of risk left him. The soda-water may have got into his head, or he may have been in a particularly reckless mood, as indeed he was. The fact remains that he inserted the first record that came to hand, wound the machine up, and set it going.
The next moment, very loud and nasal, a voice from the machine announced that Mr. Godfrey Field would sing “The Quaint Old Bird.” And, after a few preliminary chords, Mr. Field actually did so.
“Auntie went to Aldershot in a Paris pom-pom hat.”