I thought it was up to me to rally round old Corky.
“You want to stand a bit farther away from it,” I said.
“You’re perfectly right!” he snorted. “I do! I want to stand so far away from it that I can’t see the thing with a telescope!” He turned on Corky like an untamed tiger of the jungle who has just located a chunk of meat. “And this—this—is what you have been wasting your time and my money for all these years! A painter! I wouldn’t let you paint a house of mine! I gave you this commission, thinking that you were a competent worker, and this—this—this extract from a comic coloured supplement is the result!” He swung towards the door, lashing his tail and growling to himself. “This ends it! If you wish to continue this foolery of pretending to be an artist because you want an excuse for idleness, please yourself. But let me tell you this. Unless you report at my office on Monday morning, prepared to abandon all this idiocy and start in at the bottom of the business to work your way up, as you should have done half a dozen years ago, not another cent—not another cent—not another—Boosh!”
Then the door closed, and he was no longer with us. And I crawled out of the bombproof shelter.
“Corky, old top!” I whispered faintly.
Corky was standing staring at the picture. His face was set. There was a hunted look in his eye.
“Well, that finishes it!” he muttered brokenly.
“What are you going to do?”
“Do? What can I do? I can’t stick on here if he cuts off supplies. You heard what he said. I shall have to go to the office on Monday.”
I couldn’t think of a thing to say. I knew exactly how he felt about the office. I don’t know when I’ve been so infernally uncomfortable. It was like hanging round trying to make conversation to a pal who’s just been sentenced to twenty years in quod.