"Be reasonable. Don't you admit the possibility of reformation? Take your own case. Five years ago you were a minor poetess. Now you are an amateur kidnapper—a bright, lovable girl at whose approach people lock up their children and sit on the key. As for me, five years ago I was a heartless brute. Now I am a sober serious business-man, specially called in by your uncle to help jack up his tottering firm. Why not bury the dead past? Besides—I don't want to praise myself, I just want to call your attention to it—think what I have done for you. You admitted yourself that it was my influence that had revolutionised your character. But for me, you would now be doing worse than write poetry. You would be writing vers libre. I saved you from that. And you spurn me!"
"I hate you!" said Ann.
Jimmy went to the writing-desk and took up a small book.
"Put that down!"
"I just wanted to read you 'Love's Funeral!' It illustrates my point. Think of yourself as you are now, and remember that it is I who am responsible for the improvement. Here we are. 'Love's Funeral.' 'My heart is dead. . . .' "
Ann snatched the book from his hands and flung it away. It soared up, clearing the gallery rails, and fell with a thud on the gallery floor. She stood facing him with sparkling eyes. Then she moved away.
"I beg your pardon," she said stiffly. "I lost my temper."
"It's your hair," said Jimmy soothingly. "You're bound to be quick-tempered with hair of that glorious red shade. You must marry some nice, determined fellow, blue-eyed, dark-haired, clean-shaven, about five foot eleven, with a future in business. He will keep you in order."
"Mr. Crocker!"
"Gently, of course. Kindly-lovingly. The velvet thingummy rather than the iron what's-its-name. But nevertheless firmly."