Followed by Mike, he turned in at one of the doors. A group of men leaning against the opposite wall looked at them without curiosity. Probably they took them for reporters hunting for a story. Reporters were the only tolerably well-dressed visitors Pleasant Street ever entertained.
It was almost pitch dark on the stairs. They had to feel their way up. Most of the doors were shut but one on the second floor was ajar. Through the opening they had a glimpse of a number of women sitting round on boxes. The floor was covered with little heaps of linen. All the women were sewing. Mike, stumbling in the darkness, almost fell against the door. None of the women looked up at the noise. Time was evidently money in Pleasant Street.
On the fourth floor there was an open door. The room was empty. It was a good representative Pleasant Street back room. The architect in this case had given rein to a passion for originality. He had constructed the room without a window of any sort whatsoever. There was a square opening in the door. Through this, it was to be presumed, the entire stock of air used by the occupants was supposed to come.
They stumbled downstairs again and out into the street. By contrast with the conditions indoors the street seemed spacious and breezy.
"This," said Psmith, as they walked on, "is where Cosy Moments gets busy at a singularly early date."
"What are you going to do?" asked Mike.
"I propose, Comrade Jackson," said Psmith, "if Comrade Windsor is agreeable, to make things as warm for the owner of this place as I jolly well know how. What he wants, of course," he proceeded in the tone of a family doctor prescribing for a patient, "is disembowelling. I fancy, however, that a mawkishly sentimental legislature will prevent our performing that national service. We must endeavour to do what we can by means of kindly criticism in the paper. And now, having settled that important point, let us try and get out of this place of wrath, and find Fourth Avenue."