For, frankly, I thought it incredible that a girl of her natural sweetness and tender-heartedness should not have been moved to her foundations by what she had seen at dinner that night. Even Seppings, Aunt Dahlia’s butler, a cold, unemotional man, had gasped and practically reeled when Tuppy waved aside those nonnettes de poulet Agnès Sorel, while the footman, standing by with the potatoes, had stared like one seeing a vision. I simply refused to consider the possibility of the significance of the thing having been lost on a nice girl like Angela. I fully expected to find her in the drawing-room with her heart bleeding freely, all ripe for an immediate reconciliation.
In the drawing-room, however, when I entered, only Aunt Dahlia met the eye. It seemed to me that she gave me rather a jaundiced look as I hove in sight, but this, having so recently beheld Tuppy in his agony, I attributed to the fact that she, like him, had been going light on the menu. You can’t expect an empty aunt to beam like a full aunt.
“Oh, it’s you, is it?” she said.
Well, it was, of course.
“Where’s Angela?” I asked.
“Gone to bed.”
“Already?”
“She said she had a headache.”
“H’m.”
I wasn’t so sure that I liked the sound of that so much. A girl who has observed the sundered lover sensationally off his feed does not go to bed with headaches if love has been reborn in her heart. She sticks around and gives him the swift, remorseful glance from beneath the drooping eyelashes and generally endeavours to convey to him that, if he wants to get together across a round table and try to find a formula, she is all for it too. Yes, I am bound to say I found that going-to-bed stuff a bit disquieting.