“Oh, Jerry!” she said again.
There was an uncomfortable silence. They turned and walked back in the direction of the boarding-house. Somehow Gerald's arm had managed to get itself detached from Sally's. She was conscious of a curious dull ache that was almost like a physical pain.
“Jerry! Is it worth it?” she burst out vehemently.
The question seemed to sting the young man into something like his usual decisive speech.
“Worth it? Of course it's worth it. It's a Broadway production. That's all that matters. Good heavens! I've been trying long enough to get a play on Broadway, and it isn't likely that I'm going to chuck away my chance when it comes along just because one might do better in the way of casting.”
“But, Jerry! Mabel Hobson! It's... it's murder! Murder in the first degree.”
“Nonsense. She'll be all right. The part will play itself. Besides, she has a personality and a following, and Cracknell will spend all the money in the world to make the thing a success. And it will be a start, whatever happens. Of course, it's worth it.”
Fillmore would have been impressed by this speech. He would have recognized and respected in it the unmistakable ring which characterizes even the lightest utterances of those who get there. On Sally it had not immediately that effect. Nevertheless, her habit of making the best of things, working together with that primary article of her creed that the man she loved could do no wrong, succeeded finally in raising her spirits. Of course Jerry was right. It would have been foolish to refuse a contract because all its clauses were not ideal.
“You old darling,” she said affectionately attaching herself to the vacant arm once more and giving it a penitent squeeze, “you're quite right. Of course you are. I can see it now. I was only a little startled at first. Everything's going to be wonderful. Let's get all our chickens out and count 'em. How are you going to spend the money?”
“I know how I'm going to spend a dollar of it,” said Gerald completely restored.