“Come slowly down to earth,” she said. “Two hundred was the sum I had in mind.”
“I want twenty thousand.”
“You'd better rob a bank. Any policeman will direct you to a good bank.”
“I'll tell you why I want twenty thousand.”
“You might just mention it.”
“If I had twenty thousand, I'd buy this production from Cracknell. He'll be back in a few minutes to tell us that the Hobson woman has quit: and, if she really has, you take it from me that he will close the show. And, even if he manages to jolly her along this time and she comes back, it's going to happen sooner or later. It's a shame to let a show like this close. I believe in it, Sally. It's a darn good play. With Elsa Doland in the big part, it couldn't fail.”
Sally started. Her money was too recent for her to have grown fully accustomed to it, and she had never realized that she was in a position to wave a wand and make things happen on any big scale. The financing of a theatrical production had always been to her something mysterious and out of the reach of ordinary persons like herself. Fillmore, that spacious thinker, had brought it into the sphere of the possible.
“He'd sell for less than that, of course, but one would need a bit in hand. You have to face a loss on the road before coming into New York. I'd give you ten per cent on your money, Sally.”
Sally found herself wavering. The prudent side of her nature, which hitherto had steered her safely through most of life's rapids, seemed oddly dormant. Sub-consciously she was aware that on past performances Fillmore was decidedly not the man to be allowed control of anybody's little fortune, but somehow the thought did not seem to grip her. He had touched her imagination.
“It's a gold-mine!”