His voice rolled on, but Sally had ceased to listen. It was the time of year when the chill of evening follows swiftly on the mellow warmth of afternoon. The sun had gone behind the trees, and a cold wind was blowing up from the river. And quite suddenly, as though it was the wind that had cleared her mind, she understood what it was that had been lurking at the back of her thoughts. For an instant it stood out nakedly without concealment, and the world became a forlorn place. She had realized the fundamental difference between man's outlook on life and woman's.
Success! How men worshipped it, and how little of themselves they had to spare for anything else. Ironically, it was the theme of this very play of Gerald's which she had saved from destruction. Of all the men she knew, how many had any view of life except as a race which they must strain every nerve to win, regardless of what they missed by the wayside in their haste? Fillmore—Gerald—all of them. There might be a woman in each of their lives, but she came second—an afterthought—a thing for their spare time. Gerald was everything to her. His success would never be more than a side-issue as far as she was concerned. He himself, without any of the trappings of success, was enough for her. But she was not enough for him. A spasm of futile jealousy shook her. She shivered.
“Cold?” said Gerald. “I'll tell the man to drive back... I don't see any reason why this play shouldn't run a year in New York. Everybody says it's good... if it does get over, they'll all be after me. I...”
Sally stared out into a bleak world. The sky was a leaden grey, and the wind from the river blew with a dismal chill.
CHAPTER VIII. REAPPEARANCE OF MR. CARMYLE—AND GINGER
1
When Sally left Detroit on the following Saturday, accompanied by Fillmore, who was returning to the metropolis for a few days in order to secure offices and generally make his presence felt along Broadway, her spirits had completely recovered. She felt guiltily that she had been fanciful, even morbid. Naturally men wanted to get on in the world. It was their job. She told herself that she was bound up with Gerald's success, and that the last thing of which she ought to complain was the energy he put into efforts of which she as well as he would reap the reward.
To this happier frame of mind the excitement of the last few days had contributed. Detroit, that city of amiable audiences, had liked “The Primrose Way.” The theatre, in fulfilment of Teddy's prophecy, had been allowed to open on the Tuesday, and a full house, hungry for entertainment after its enforced abstinence, had welcomed the play wholeheartedly. The papers, not always in agreement with the applause of a first-night audience, had on this occasion endorsed the verdict, with agreeable unanimity hailing Gerald as the coming author and Elsa Doland as the coming star. There had even been a brief mention of Fillmore as the coming manager. But there is always some trifle that jars in our greatest moments, and Fillmore's triumph had been almost spoilt by the fact that the only notice taken of Gladys Winch was by the critic who printed her name—spelt Wunch—in the list of those whom the cast “also included.”
“One of the greatest character actresses on the stage,” said Fillmore bitterly, talking over this outrage with Sally on the morning after the production.