“What!”
Keggs was content. His climax had not missed fire. Its staggering effect was plain on the face of his hearer. For once Mrs. Porter’s poise had deserted her. Her one word had been a scream.
“She did not tell me her destination, madam,” went on Keggs, making all that could be made of what was left of the situation after its artistic finish. “She came in and packed a suit-case and went out again and joined Mr. Winfield in the automobile, and they drove off together.”
Mrs. Porter recovered herself. This was a matter which called for silent meditation, not for chit-chat with a garrulous butler.
“That will do, Keggs.”
“Very good, madam.”
Keggs withdrew to his pantry, well pleased. He considered that he had done himself justice as a raconteur. He had not spoiled a good story in the telling.
Mrs. Porter went to her room and sat down to think. She was a woman of action, and she soon reached a decision.
The errant pair must be followed, and at once. Her great mind, playing over the situation like a searchlight, detected a connection between this elopement and the disappearance of William Bannister. She had long since marked Kirk down as a malcontent, and she now labelled the absent Mamie as a snake in the grass who had feigned submission to her rule, while meditating all the time the theft of the child and the elopement with Kirk. She had placed the same construction on Mamie’s departure with Kirk as had Mr. Penway, showing that it is not only great minds that think alike.
A latent conviction as to the immorality of all artists, which had been one of the maxims of her late mother, sprang into life. She blamed herself for having allowed a nurse of such undeniable physical attractions to become a member of the household. Mamie’s very quietness and apparent absence of bad qualities became additional evidence against her now, Mrs. Porter arguing that these things indicated deep deceitfulness. She told herself, what was not the case, that she had never trusted that girl.