The piece was progressing merrily. The gifted author, at first silent and pale, began now to show signs of gratification. Now and again he chuckled as some jeu de mots hit the mark and drew a quick gust of laughter from the unseen audience. Occasionally he would nudge Fenn to draw his attention to some good bit of dialogue which was approaching. He was obviously enjoying himself.
The advent of Mr Higgs completed his satisfaction, for the audience greeted the comedian with roars of applause. As a rule Eckleton took its drama through the medium of third-rate touring companies, which came down with plays that had not managed to attract London to any great extent, and were trying to make up for failures in the metropolis by long tours in the provinces. It was seldom that an actor of the Higgs type paid the town a visit, and in a play, too, which had positively never appeared before on any stage. Eckleton appreciated the compliment.
"Listen," said Fenn's brother. "Isn't that just the part for him? It's just like he was in the dressing-room, eh? Short sentences and everything. The funny part of it is that I didn't know the man when I wrote the play. It was all luck."
Mr Higgs' performance sealed the success of the piece. The house laughed at everything he said. He sang a song in his gasping way, and they laughed still more. Fenn's brother became incoherent with delight. The verdict of Eckleton was hardly likely to affect London theatre-goers, but it was very pleasant notwithstanding. Like every playwright with his first piece, he had been haunted by the idea that his dialogue "would not act", that, however humorous it might be to a reader, it would fall flat when spoken. There was no doubt now as to whether the lines sounded well.
At the beginning of the second act the great Higgs was not on the stage, Fenn's brother knowing enough of the game not to bring on his big man too soon. He had not to enter for ten minutes or so. The author, who had gone down to see him during the interval, stayed in the dressing-room. Fenn, however, who wanted to see all of the piece that he could, went up to the "flies" again.
It occurred to him when he got there that he would see more if he took the seat which his brother had been occupying. It would give him much the same view of the stage, and a wider view of the audience. He thought it would be amusing to see how the audience looked from the "flies".
Mr W. S. Gilbert once wrote a poem about a certain bishop who, while fond of amusing himself, objected to his clergy doing likewise. And the consequence was that whenever he did so amuse himself, he was always haunted by a phantom curate, who joined him in his pleasures, much to his dismay. On one occasion he stopped to watch a Punch and Judy show,
And heard, as Punch was being treated penally,
That phantom curate laughing all hyaenally.
The disgust and panic of this eminent cleric was as nothing compared with that of Fenn, when, shifting to his brother's seat, he got the first clear view he had had of the audience. In a box to the left of the dress-circle sat, "laughing all hyaenally", the following distinguished visitors:
Mr Mulholland of No. 7 College Buildings.
Mr Raynes of No. 4 ditto,
and
Mr Kay.