“Oh, I’m not worried about him,” said Bingo. “I was just going to tell you. Wingham’s got the mumps, and won’t be out and about for weeks. And, jolly as that is in itself, it’s not all. You see, he was producing the Village School Christmas Entertainment, and now I’ve taken over the job. I went to old Heppenstall last night and clinched the contract. Well, you see what that means. It means that I shall be absolutely the centre of the village life and thought for three solid weeks, with a terrific triumph to wind up with. Everybody looking up to me and fawning on me, don’t you see, and all that. It’s bound to have a powerful effect on Mary’s mind. It will show her that I am capable of serious effort; that there is a solid foundation of worth in me; that, mere butterfly as she may once have thought me, I am in reality——”
“Oh, all right, let it go!”
“It’s a big thing, you know, this Christmas Entertainment. Old Heppenstall is very much wrapped up in it. Nibs from all over the countryside rolling up. The Squire present, with family. A big chance for me, Bertie, my boy, and I mean to make the most of it. Of course, I’m handicapped a bit by not having been in on the thing from the start. Will you credit it that that uninspired doughnut of a curate wanted to give the public some rotten little fairy play out of a book for children published about fifty years ago without one good laugh or the semblance of a gag in it? It’s too late to alter the thing entirely, but at least I can jazz it up. I’m going to write them in something zippy to brighten the thing up a bit.”
“You can’t write.”
“Well, when I say write, I mean pinch. That’s why I’ve popped up to town. I’ve been to see that revue, ‘Cuddle Up!’ at the Palladium, to-night. Full of good stuff. Of course, it’s rather hard to get anything in the nature of a big spectacular effect in the Twing Village Hall, with no scenery to speak of and a chorus of practically imbecile kids of ages ranging from nine to fourteen, but I think I see my way. Have you seen ‘Cuddle Up’?”
“Yes. Twice.”
“Well, there’s some good stuff in the first act, and I can lift practically all the numbers. Then there’s that show at the Palace. I can see the matinée of that to-morrow before I leave. There’s sure to be some decent bits in that. Don’t you worry about my not being able to write a hit. Leave it to me, laddie, leave it to me. And now, my dear old chap,” said young Bingo, snuggling down cosily, “you mustn’t keep me up talking all night. It’s all right for you fellows who have nothing to do, but I’m a busy man. Good night, old thing. Close the door quietly after you and switch out the light. Breakfast about ten to-morrow, I suppose, what? Right-o. Good night.”
* * * * *
For the next three weeks I didn’t see Bingo. He became a sort of Voice Heard Off, developing a habit of ringing me up on long-distance and consulting me on various points arising at rehearsal, until the day when he got me out of bed at eight in the morning to ask whether I thought “Merry Christmas!” was a good title. I told him then that this nuisance must now cease, and after that he cheesed it, and practically passed out of my life, till one afternoon when I got back to the flat to dress for dinner and found Jeeves inspecting a whacking big poster sort of thing which he had draped over the back of an arm-chair.
“Good Lord, Jeeves!” I said. I was feeling rather weak that day, and the thing shook me. “What on earth’s that?”