You know, with the most charitable feelings towards him, there are moments when you can’t help thinking that young Bingo ought to be in some sort of a home. I suppose, poor fish, he had pictured this as the big punch of the evening. He had imagined, I take it, that the Squire would spring jovially to his feet, rip the song off his chest, and all would be gaiety and mirth. Well, what happened was simply that old Tressidder—and, mark you, I’m not blaming him—just sat where he was, swelling and turning a brighter purple every second. The lower middle classes remained in frozen silence, waiting for the roof to fall. The only section of the audience that really seemed to enjoy the idea was the Tough Eggs, who yelled with enthusiasm. It was jam for the Tough Eggs.
And then the lights went out again.
* * * * *
When they went up, some minutes later, they disclosed the Squire marching stiffly out at the head of his family, fed up to the eyebrows; the Burgess girl at the piano with a pale, set look; and the curate gazing at her with something in his expression that seemed to suggest that, although all this was no doubt deplorable, he had spotted the silver lining.
The show went on once more. There were great chunks of Plays-for-the-Tots dialogue, and then the girl at the piano struck up the prelude to that Orange-Girl number that’s the big hit of the Palace revue. I took it that this was to be Bingo’s smashing act one finale. The entire company was on the stage, and a clutching hand had appeared round the edge of the curtain, ready to pull at the right moment. It looked like the finale all right. It wasn’t long before I realised that it was something more. It was the finish.
I take it you know that Orange number at the Palace? It goes:
Oh, won’t you something something oranges,
My something oranges,
My something oranges;
Oh, won’t you something something something I forget,
Something something something tumty tumty yet:
Oh——
or words to that effect. It’s a dashed clever lyric, and the tune’s good, too; but the thing that made the number was the business where the girls take oranges out of their baskets, you know, and toss them lightly to the audience. I don’t know if you’ve ever noticed it, but it always seems to tickle an audience to bits when they get things thrown at them from the stage. Every time I’ve been to the Palace the customers have simply gone wild over this number.
But at the Palace, of course, the oranges are made of yellow wool, and the girls don’t so much chuck them as drop them limply into the first and second rows. I began to gather that the business was going to be treated rather differently to-night when a dashed great chunk of pips and mildew sailed past my ear and burst on the wall behind me. Another landed with a squelch on the neck of one of the Nibs in the third row. And then a third took me right on the tip of the nose, and I kind of lost interest in the proceedings for awhile.
When I had scrubbed my face and got my eye to stop watering for a moment, I saw that the evening’s entertainment had begun to resemble one of Belfast’s livelier nights. The air was thick with shrieks and fruit. The kids on the stage, with Bingo buzzing distractedly to and fro in their midst, were having the time of their lives. I suppose they realised that this couldn’t go on for ever, and were making the most of their chances. The Tough Eggs had begun to pick up all the oranges that hadn’t burst and were shooting them back, so that the audience got it both coming and going. In fact, take it all round, there was a certain amount of confusion; and, just as things had begun really to hot up, out went the lights again.