"Then, just listen to me for a moment, my bright boy. When we're at breakfast to-morrow, you want to go to that room and put those things back—all of them, mind you—just where you found them. Do you understand?"
Spike's jaw had fallen.
"Put dem back, boss!" he faltered.
"Every single one of them."
"Boss!" said Spike, plaintively.
"Remember. Every single one of them, just where it belongs. See?"
"Very well, boss."
The dejection in his voice would have moved the sternest to pity. Gloom had enveloped Spike's spirit. The sunlight had gone out of his life.
It had also gone out of the lives of a good many other people at the castle. This was mainly due to the growing shadow of the day of the theatricals.
For pure discomfort, there are few things in the world that can compete with the final rehearsals of an amateur theatrical performance at a country-house. Every day, the atmosphere becomes more heavily charged with restlessness and depression. The producer of the piece, especially if he be also the author of it, develops a sort of intermittent insanity. He plucks at his mustache, if he has one: at his hair, if he has not. He mutters to himself. He gives vent to occasional despairing cries. The soothing suavity that marked his demeanor in the earlier rehearsals disappears. He no longer says with a winning smile, "Splendid, old man, splendid. Couldn't be better. But I think we'll take that over just once more, if you don't mind." Instead, he rolls his eyes, and snaps out, "Once more, please. This'll never do. At this rate, we might just as well cut out the show altogether. What's that? No, it won't be all right on the night! Now, then, once more; and do pull yourselves together this time." After this, the scene is sulkily resumed; and conversation, when the parties concerned meet subsequently, is cold and strained.