CHAPTER VII — GETTING ACQUAINTED
A cyclone, entering a room, is apt to alter the position of things. This cyclone shifted a footstool, a small chair, a rug, and Spike. The chair, struck by a massive boot, whirled against the wall. The foot-stool rolled away. The rug crumpled up and slid. Spike, with a yell, leaped to his feet, slipped again, fell, and finally compromised on an all-fours position, in which attitude he remained, blinking.
While these stirring acts were in progress, there was the sound of a door opening upstairs, followed by a scuttering of feet and an appalling increase in the canine contribution to the current noises. The duet had now taken on quite a Wagnerian effect.
There raced into the room first a white bull-terrier, he of the soprano voice, and—a bad second—his fellow artiste, the baritone, a massive bull-dog, bearing a striking resemblance to the big man with the big lower jaw whose entrance had started the cyclone.
And, then, in theatrical parlance, the entire company "held the picture." Up-stage, with his hand still on the door, stood the man with the jaw; downstage, Jimmy; center, Spike and the bull-dog, their noses a couple of inches apart, inspected each other with mutual disfavor. On the extreme O. P. side, the bull-terrier, who had fallen foul of a wicker-work table, was crouching with extended tongue and rolling eyes, waiting for the next move.
The householder looked at Jimmy. Jimmy looked at the householder. Spike and the bull-dog looked at each other. The bull-terrier distributed his gaze impartially around the company.
"A typical scene of quiet American home-life," murmured Jimmy.
The householder glowered.
"Hands up, you devils!" he roared, pointing a mammoth revolver.