'Audrey,' I cried, 'for God's sake can't you see what you're doing? We have been given a second chance. Our happiness is in your hands again, and you are throwing it away. Why should we make ourselves wretched for the whole of our lives? What does anything else matter except that we love each other? Why should we let anything stand in our way? I won't give you up.'
She did not answer. Her eyes were fixed on the ground. Hope began to revive in me, telling me that I had persuaded her. But when she looked up it was with the same steady gaze, and my heart sank again.
'Peter,' she said, 'I want to tell you something. It will make you understand, I think. I haven't been honest, Peter. I have not fought fairly. All these weeks, ever since we met, I have been trying to steal you. It's the only word. I have tried every little miserable trick I could think of to steal you from the girl you had promised to marry. And she wasn't here to fight for herself. I didn't think of her. I was wrapped up in my own selfishness. And then, after that night, when you had gone away, I thought it all out. I had a sort of awakening. I saw the part I had been playing. Even then I tried to persuade myself that I had done something rather fine. I thought, you see, at that time that you were infatuated with Mrs Ford—and I know Mrs Ford. If she is capable of loving any man, she loves Mr Ford, though they are divorced. I knew she would only make you unhappy. I told myself I was saving you. Then you told me it was not Mrs Ford, but this girl. That altered everything. Don't you see that I can't let you give her up now? You would despise me. I shouldn't feel clean. I should feel as if I had stabbed her in the back.'
I forced a laugh. It rang hollow against the barrier that separated us. In my heart I knew that this barrier was not to be laughed away.
'Can't you see, Peter? You must see.'
'I certainly don't. I think you're overstrained, and that you have let your imagination run away with you. I—'
She interrupted me.
'Do you remember that evening in the study?' she asked abruptly. 'We had been talking. I had been telling you how I had lived during those five years.'
'I remember.'
'Every word I spoke was spoken with an object—calculated…. Yes, even the pauses. I tried to make them tell, too. I knew you, you see, Peter. I knew you through and through, because I loved you, and I knew the effect those tales would have on you. Oh, they were all true. I was honest as far as that goes. But they had the mean motive at the back of them. I was playing on your feelings. I knew how kind you were, how you would pity me. I set myself to create an image which would stay in your mind and kill the memory of the other girl; the image of a poor, ill-treated little creature who should work through to your heart by way of your compassion. I knew you, Peter, I knew you. And then I did a meaner thing still. I pretended to stumble in the dark. I meant you to catch me and hold me, and you did. And …'