It was at the height of this period that I became engaged to Audrey. Now that I can understand her better and see myself, impartially, as I was in those days, I can realize how indescribably offensive I must have been. My love was real, but that did not prevent its patronizing complacency being an insult. I was King Cophetua. If I did not actually say in so many words, 'This beggar-maid shall be my queen', I said it plainly and often in my manner. She was the daughter of a dissolute, evil-tempered artist whom I had met at a Bohemian club. He made a living by painting an occasional picture, illustrating an occasional magazine-story, but mainly by doing advertisement work. A proprietor of a patent Infants' Food, not satisfied with the bare statement that Baby Cried For It, would feel it necessary to push the fact home to the public through the medium of Art, and Mr Blake would be commissioned to draw the picture. A good many specimens of his work in this vein were to be found in the back pages of the magazines.
A man may make a living by these means, but it is one that inclines him to jump at a wealthy son-in-law. Mr Blake jumped at me. It was one of his last acts on this earth. A week after he had—as I now suspect—bullied Audrey into accepting me, he died of pneumonia.
His death had several results. It postponed the wedding: it stirred me to a very crescendo of patronage, for with the removal of the bread-winner the only flaw in my Cophetua pose had vanished: and it gave Audrey a great deal more scope than she had hitherto been granted for the exercise of free will in the choice of a husband.
This last aspect of the matter was speedily brought to my notice, which till then it had escaped, by a letter from her, handed to me one night at the club, where I was sipping coffee and musing on the excellence of life in this best of all possible worlds.
It was brief and to the point. She had been married that morning.
To say that that moment was a turning point in my life would be to use a ridiculously inadequate phrase. It dynamited my life. In a sense it killed me. The man I had been died that night, regretted, I imagine, by few. Whatever I am today, I am certainly not the complacent spectator of life that I had been before that night.
I crushed the letter in my hand, and sat staring at it, my pigsty in ruins about my ears, face to face with the fact that, even in a best of all possible worlds, money will not buy everything.
I remember, as I sat there, a man, a club acquaintance, a bore from whom I had fled many a time, came and settled down beside me and began to talk. He was a small man, but he possessed a voice to which one had to listen. He talked and talked and talked. How I loathed him, as I sat trying to think through his stream of words. I see now that he saved me. He forced me out of myself. But at the time he oppressed me. I was raw and bleeding. I was struggling to grasp the incredible. I had taken Audrey's unalterable affection for granted. She was the natural complement to my scheme of comfort. I wanted her; I had chosen and was satisfied with her, therefore all was well. And now I had to adjust my mind to the impossible fact that I had lost her.
Her letter was a mirror in which I saw myself. She said little, but I understood, and my self-satisfaction was in ribbons—and something deeper than self-satisfaction. I saw now that I loved her as I had not dreamed myself capable of loving.
And all the while this man talked and talked.