“But you aren’t in the office now?”
“No. I found I had a knack of writing verses and things, and I wrote a few vaudeville songs. Then I came across a man named Bevan at a music-publisher’s. He was just starting to write music, and we got together and turned out some vaudeville sketches, and then a manager sent for us to fix up a show that was dying on the road and we had the good luck to turn it into a success, and after that it was pretty good going. Managers are just like sheep. They know nothing whatever about the show business themselves, and they come flocking after anybody who looks as if he could turn out the right stuff. They never think any one any good except the fellow who had the last hit. So, while your luck lasts, you have to keep them off with a stick. Then you have a couple of failures, and they skip off after somebody else, till you have another success, and then they all come skipping back again, bleating plaintively. George Bevan got married the other day—you probably read about it—he married Lord Marshmoreton’s daughter. Lucky devil!”
“Are you married?”
“No.”
“You were faithful to my memory?” said Jill with a smile.
“I was.”
“It can’t last,” said Jill, shaking her head. “One of these days you’ll meet some lovely American girl and then you’ll put a worm down her back or pull her hair or whatever it is you do when you want to show your devotion, and … What are you looking at? Is something interesting going on behind me?”
He had been looking past her out into the room.
“It’s nothing,” he said. “Only there’s a statuesque old lady about two tables back of you who has been staring at you, with intervals for refreshment, for the last five minutes. You seem to fascinate her.”
“An old lady?”