'The name is familiar to you, monsieur? You 'ave 'eard of M. Sartines?'
'I don't think I have. Who is he?'
'He is a man of letters, a savant. For five years he has been occupied upon a great work. It is with that that I assist him by collecting facts for 'is use. I 'ave spent this afternoon in the British Museum collecting facts. Tomorrow I go again. And the next day. And again after that. The book will occupy yet another ten years before it is completed. It is his great work.'
'It sounds as if it was,' I said. 'What's it about?'
He signalled to the waiter.
'Garcon, one other liqueur brandy. The book, monsieur, is a 'Istory of the Cat in Ancient Egypt.'
RUTH IN EXILE
THE clock struck five—briskly, as if time were money. Ruth Warden got up from her desk and, having put on her hat, emerged into the outer office where M. Gandinot received visitors. M. Gandinot, the ugliest man in Roville-sur-Mer, presided over the local mont-de-piete, and Ruth served him, from ten to five, as a sort of secretary-clerk. Her duties, if monotonous, were simple. They consisted of sitting, detached and invisible, behind a ground-glass screen, and entering details of loans in a fat book. She was kept busy as a rule, for Roville possesses two casinos, each offering the attraction of petits chevaux, and just round the corner is Monte Carlo. Very brisk was the business done by M. Gandinot, the pawnbroker, and very frequent were the pitying shakes of the head and clicks of the tongue of M. Gandinot, the man; for in his unofficial capacity Ruth's employer had a gentle soul, and winced at the evidences of tragedy which presented themselves before his official eyes.
He blinked up at Ruth as she appeared, and Ruth, as she looked at him, was conscious, as usual, of a lightening of the depression which, nowadays, seemed to have settled permanently upon her. The peculiar quality of M. Gandinot's extraordinary countenance was that it induced mirth—not mocking laughter, but a kind of smiling happiness. It possessed that indefinable quality which characterizes the Billiken, due, perhaps, to the unquenchable optimism which shone through the irregular features; for M. Gandinot, despite his calling, believed in his fellow-man.
'You are going, mademoiselle?'