'Who dost thou think thou art?'
'Who do I think that I am?'
'Aye, who dost thou think thou art?'
Agravaine could make nothing of it. As a matter of fact, he was hearing the first genuine cross-talk that had ever occurred in those dim, pre-music-hall days. In years to come dialogue on these lines was to be popular throughout the length and breadth of Great Britain. But till then it had been unknown.
The voices grew angrier. To an initiated listener it would have been plain that in a short while words would be found inadequate and the dagger, that medieval forerunner of the slap-stick, brought into play. But to Agravaine, all inexperienced, it came as a surprise when suddenly with a muffled thud two bodies fell against the door. There was a scuffling noise, some groans, and then silence.
And then with amazement he heard the bolt shoot back and a key grate in the keyhole.
The door swung open. It was dark outside, but Agravaine could distinguish a female form, and, beyond, a shapeless mass which he took correctly to be the remains of the two plug-uglies.
'It is I, Yvonne,' said a voice.
'What is it? What has been happening?'
'It was I. I set them against each other. They both loved one of the kitchen-maids. I made them jealous. I told Walt privily that she had favoured Dickon, and Dickon privily that she loved Walt. And now—'