Far away from the comfortable glare of Broadway, in a place of disheveled houses and insufficient street-lamps, there stands the old warehouse which modern enterprise has converted into the Highfield Athletic and Gymnastic Club. The imagination, stimulated by the title, conjures up picture-covered walls, padded chairs, and seas of white shirt front. The Highfield differs in some respects from this fancy picture. Indeed, it would be hard to find a respect in which it does not differ. But these names are so misleading! The title under which the Highfield used to be known till a few years back was "Swifty Bob's." It was a good, honest title. You knew what to export, and if you attended seances at Swifty Bob's you left your gold watch and your little savings at home. But a wave of anti-pugilistic feeling swept over the New York authorities. Promoters of boxing contests found themselves, to their acute disgust, raided by the police. The industry began to languish. Persons avoided places where at any moment the festivities might be marred by an inrush of large men in blue uniforms, armed with locust sticks.

And then some big-brained person suggested the club idea, which stands alone as an example of American dry humor. At once there were no boxing contests in New York; Swifty Bob and his fellows would have been shocked at the idea of such a thing. All that happened now was exhibition sparring bouts between members of the club. It is true that next day the papers very tactlessly reported the friendly exhibition spar as if it had been quite a serious affair, but that was not the fault of Swifty Bob.

Kid Brady, the chosen of Peaceful Moments, was billed for a "ten-round exhibition contest," to be the main event of the evening's entertainment.


A long journey on the subway took them to the neighborhood, and after considerable wandering they arrived at their destination.

Smith's tickets were for a ring-side box, a species of sheep pen of unpolished wood, with four hard chairs in it. The interior of the Highfield Athletic and Gymnastic Club was severely free from anything in the shape of luxury and ornament. Along the four walls were raised benches in tiers. On these were seated as tough-looking a collection of citizens as one might wish to see. On chairs at the ringside were the reporters with tickers at their sides. In the center of the room, brilliantly lighted by half-a-dozen electric chandeliers, was the ring.

There were preliminary bouts before the main event. A burly gentleman in shirt-sleeves entered the ring, followed by two slim youths in fighting costume and a massive person in a red jersey, blue serge trousers, and yellow braces, who chewed gum with an abstracted air throughout the proceedings.

The burly gentleman gave tongue in a voice that cleft the air like a cannon ball.

"Ex-hibit-i-on four-round bout between Patsy Milligan and Tommy Goodley, members of this club. Patsy on my right, Tommy on my left. Gentlemen will kindly stop smokin'."

The audience did nothing of the sort. Possibly they did not apply the description to themselves. Possibly they considered the appeal a mere formula. Somewhere in the background a gong sounded, and Patsy, from the right, stepped briskly forward to meet Tommy, approaching from the left.