At six-forty-six, ignoring the pink hat which protruded from the window of a third-class compartment and the stout hand that waved a rollicking farewell, I turned from the train with a pale, set face, and, passing down the platform of Euston Station, told a cabman to take me with all speed to Ukridge’s lodgings in Arundel Street, Leicester Square. There had never, so far as I knew, been a murder in Arundel Street, but I was strongly of opinion that that time was ripe. Cecil’s society and conversation had done much to neutralise the effects of a gentle upbringing, and I toyed almost luxuriously with the thought of supplying him with an Arundel Street Horror for his next visit to the Metropolis.
“Aha, laddie,” said Ukridge, as I entered. “Come in, old horse. Glad to see you. Been wondering when you would turn up.”
He was in bed, but that did not remove the suspicion which had been growing in me all the afternoon that he was a low malingerer. I refused to believe for a moment in that sprained ankle of his. My view was that he had had the advantage of a first look at Flossie’s mother and her engaging child and had shrewdly passed them on to me.
“I’ve been reading your book, old man,” said Ukridge, breaking a pregnant silence with an overdone carelessness. He brandished winningly the only novel I had ever written, and I can offer no better proof of the black hostility of my soul than the statement that even this did not soften me. “It’s immense, laddie. No other word for it. Immense. Damme, I’ve been crying like a child.”
“It is supposed to be a humorous novel,” I pointed out, coldly.
“Crying with laughter,” explained Ukridge, hurriedly.
I eyed him with loathing.
“Where do you keep your blunt instruments?” I asked.
“My what?”
“Your blunt instrument. I want a blunt instrument. Give me a blunt instrument. My God! Don’t tell me you have no blunt instrument.”