“Press ticket,” I explained.
“Press ticket? What paper?”
“Society .”
There was nothing of the Julia Ukridge spirit in this young man, no ingrained pride which kept him aloof and outwardly indifferent. He beamed like the rising sun. He grasped my arm and kneaded it. He gambolled about me like a young lamb in the springtime.
“My dear fellow!” he exclaimed, exuberantly, and clutched my arm more firmly, lest even now I might elude him. “My dear fellow, I really must apologise. I would not have questioned you, but there are some persons present who were not invited. I met a man only a moment ago who said that he had bought a ticket. Some absurd mistake. There were no tickets for sale. I was about to question him further, but he disappeared into the crowd and I have not seen him since. This is a quite private dance, open only to members of the club. Come with me, my dear fellow, and I will give you a few particulars which you may find of use for your article.”
He led me resolutely into a small room off the floor, closed the door to prevent escape, and, on the principle on which you rub a cat’s paws with butter to induce it to settle down in a new home, began to fuss about with whisky and cigarettes.
“Do, do sit down.”
I sat down.
“First, about this club. The Pen and Ink Club is the only really exclusive organisation of its kind in London. We pride ourselves on the fact. We are to the literary world what Brooks’s and the Carlton are to the social. Members are elected solely by invitation. Election, in short, you understand, is in the nature of an accolade. We have exactly one hundred members, and we include only those writers who in our opinion possess vision.”
“And the big, broad, flexible outlook?”