Life at Brookport had so accustomed him to being plain Bill Chalmers that it had absolutely slipped his mind that he was really Lord Dawlish, the one man in the world whom Elizabeth looked on as an enemy. What on earth was he to do about that? Tell her? But if he told her, wouldn't she chuck him on the spot?
This was awful. The dreamy sense of well-being left him. He straightened himself to face this problem, ignoring the hint of James, who was weaving circles about his legs expectant of more tickling. A man cannot spend his time tickling cats when he has to concentrate on a dilemma of this kind.
Suppose he didn't tell her? How would that work out? Was a marriage legal if the cove who was being married went through it under a false name? He seemed to remember seeing a melodrama in his boyhood the plot of which turned on that very point. Yes, it began to come back to him. An unpleasant bargee with a black moustache had said, 'This woman is not your wife!' and caused the dickens of a lot of unpleasantness; but there in its usual slipshod way memory failed. Had subsequent events proved the bargee right or wrong? It was a question for a lawyer to decide. Jerry Nichols would know. Well, there was plenty of time, thank goodness, to send Jerry Nichols a cable, asking for his professional opinion, and to get the straight tip long before the wedding day arrived.
Laying this part of it aside for the moment, and assuming that the thing could be worked, what about the money? Like a chump, he had told Elizabeth on the first day of his visit that he hadn't any money except what he made out of his job as secretary of the club. He couldn't suddenly spring five million dollars on her and pretend that he had forgotten all about it till then.
Of course, he could invent an imaginary uncle or something, and massacre him during the honeymoon. Something in that. He pictured the thing in his mind. Breakfast: Elizabeth doling out the scrambled eggs. 'What's the matter, Bill? Why did you exclaim like that? Is there some bad news in the letter you are reading?'
'Oh, it's nothing—only my Uncle John's died and left me five million dollars.'
The scene worked out so well that his mind became a little above itself. It suggested developments of serpentine craftiness. Why not get Jerry Nichols to write him a letter about his Uncle John and the five millions? Jerry liked doing that sort of thing. He would do it like a shot, and chuck in a lot of legal words to make it sound right. It began to be clear to Bill that any move he took—except full confession, at which he jibbed—was going to involve Jerry Nichols as an ally; and this discovery had a soothing effect on him. It made him feel that the responsibility had been shifted. He couldn't do anything till he had consulted Jerry, so there was no use in worrying. And, being one of those rare persons who can cease worrying instantly when they have convinced themselves that it is useless, he dismissed the entire problem from his mind and returned to the more congenial occupation of thinking of Elizabeth.
It was a peculiar feature of his position that he found himself unable to think of Elizabeth without thinking of Claire. He tried to, but failed. Every virtue in Elizabeth seemed to call up the recollection of a corresponding defect in Claire. It became almost mathematical. Elizabeth was so straight on the level they called it over here. Claire was a corkscrew among women. Elizabeth was sunny and cheerful. Querulousness was Claire's besetting sin. Elizabeth was such a pal. Claire had never been that. The effect that Claire had always had on him was to deepen the conviction, which never really left him, that he was a bit of an ass. Elizabeth, on the other hand, bucked him up and made him feel as if he really amounted to something.
How different they were! Their very voices—Elizabeth had a sort of quiet, soothing, pleasant voice, the kind of voice that somehow suggested that she thought a lot of a chap without her having to say it in so many words. Whereas Claire's voice—he had noticed it right from the beginning—Claire's voice—
While he was trying to make clear to himself just what it was about Claire's voice that he had not liked he was granted the opportunity of analysing by means of direct observation its failure to meet his vocal ideals, for at this moment it spoke behind him.