Claire looked up. A dapper, trim little man of about forty was threading his way among the tables in their direction. It was a year since Claire had seen Lord Wetherby, but she recognized him at once. He had a red, weather-beaten face with a suspicion of side-whiskers, small, pink-rimmed eyes with sandy eyebrows, the smoothest of sandy hair, and a chin so cleanly shaven that it was difficult to believe that hair had ever grown there. Although his evening-dress was perfect in every detail, he conveyed a subtle suggestion of horsiness. He reached the table and sat down without invitation in the vacant chair.
'Pauline!' he said, sorrowfully.
'Algie!' said Lady Wetherby, tensely. 'I don't know what you've come here for, and I don't remember asking you to sit down and put your elbows on that table, but I want to begin by saying that I will not be called Pauline. My name's Polly. You've got a way of saying Pauline, as if it were a gentlemanly cuss-word, that makes me want to scream. And while you're about it, why don't you say how-d'you-do to Claire? You ought to remember her, she was my bridesmaid.'
'How do you do, Miss Fenwick. Of course, I remember you perfectly.
I'm glad to see you again.'
'And now, Algie, what is it? Why have you come here?' Lord
Wetherby looked doubtfully at Claire. 'Oh, that's all right,' said
Lady Wetherby. 'Claire knows all about it—I told her.'
'Then I appeal to Miss Fenwick, if, as you say, she knows all the facts of the case, to say whether it is reasonable to expect a man of my temperament, a nervous, highly-strung artist, to welcome the presence of snakes at the breakfast-table. I trust that I am not an unreasonable man, but I decline to admit that a long, green snake is a proper thing to keep about the house.'
'You had no right to strike the poor thing.'
'In that one respect I was perhaps a little hasty. I happened to be stirring my tea at the moment his head rose above the edge of the table. I was not entirely myself that morning. My nerves were somewhat disordered. I had lain awake much of the night planning a canvas.'
'Planning a what?'
'A canvas—a picture.'