CHAPTER X. BOOKSELLERS AND PUBLISHERS.
The Printers of Nicholas de Lyra and Caesar Baronius—John Fust—Richard Grafton—Jacob van Liesvelt—John Lufftius—Robert Stephens (Estienne)—Henry Stephens—Simon Ockley—Floyer Sydenham—Edmund Castell—Page—John Lilburne—Etienne Dolet—John Morin—Christian Wechel—Andrew Wechel—Jacques Froullé—Godonesche—William Anderton.
Authors have not been the only beings who have suffered by their writings, but frequently they have involved the printers and sellers of their works in their unfortunate ruin. The risks which adventurous publishers run in our own enlightened age are not so great as those incurred a few centuries ago. Indeed Mr. Walter Besant assures us that now our publishers have no risks, not even financial! They are not required to produce the huge folios and heavy quartos which our ancestors delighted in, and poured forth with such amazing rapidity, unless there is a good subscribers' list and all the copies are taken.
The misfortunes of booksellers caused by voluminous authors might form a special subject of inquiry, and we commend it to the attentions of some other Book-lover. We should hear the groans of two eminent printers who were ruined by the amazing industry of one author, Nicholas de Lyra. He himself died long before printing was invented, in the year 1340, but he left behind him his great work, Biblia sacra cum interpretationibus et postillis, which became the source of trouble to the printers, Schweynheym and Pannartz, of Subiaco and Rome. They were persuaded or ordered by the Pope or his cardinals to print his prodigious commentary on the Bible; when a few volumes had been printed they desired most earnestly to be relieved of their burden, and petitioned the Pope to be saved from the bankruptcy which this mighty undertaking entailed. They possessed a lasting memento of this author in the shape of eleven hundred ponderous tomes, which were destined to remain upon their shelves till fire or moths or other enemies of books had done their work. These volumes began to be printed in 1471, and contain the earliest specimens of Greek type.
The printers of the works of Prynne, Barthius, Reynaud, and other voluminous writers must have had a sorry experience with their authors; but "once bitten twice shy." Hence some of these worthies found it rather difficult to publish their works, and there were no authors' agents or Societies of Authors to aid their negotiations. Indeed we are told that a printer who was saddled with a large number of unsaleable copies of a heavy piece of literary production adopted the novel expedient of bringing out several editions of the work! This he accomplished by merely adding a new title-page to his old copies, whereby he readily deceived the unwary.
Catherino, in his book entitled L'Art d'Imprimer, quotes the saying of De Fourcey, a Jesuit of Paris, that "one might make a pretty large volume of the catalogue of those who have entirely ruined their booksellers by their books."
But the booksellers and printers whose hard fate I wish principally to record are those who shared with the authors the penalties inflicted on account of their condemned books. Unhappily there have been many such whose fate has been recorded, and probably there are many more who have suffered in obscurity the terrible punishments which the stern censors of former days knew so well how to inflict.
One of the reputed discoverers of the art of printing, John Fust, is said to have been persecuted; he was accused at Paris of multiplying the Scriptures by the aid of the Devil, and was compelled to seek safety in flight.
The booksellers of the historian Caesar Baronius, [Footnote: Cf. page 97.] whose account of the Spanish rule in Sicily so enraged Philip III. of Spain, were condemned to perpetual servitude, and were forced to endure the terrible tortures inflicted on galley slaves.
The early printers of the Bible incurred great risks. Richard Grafton and Edward Whitchurch, together with Miles Coverdale, were entrusted to arrange for the printing of Thomas Mathew's translation. The work was given to the printers in Paris, as the English printers were not very highly esteemed. The book was nearly completed when the Inquisition effectually stopped the further progress of the work by seizing the sheets, and Grafton with his companions were forced to fly. Then Francis Regnault, whose brother's colophon is the admiration of all bibliophiles, undertook the printing of the New Testament, made by Miles Coverdale, which was finished at Paris in 1538. Richard Grafton and Whitchurch contrived to obtain their types from Paris, and the Bible was completed in 1539. Thus they became printers themselves, and as a reward for his labour, when the Roman Catholics again became rulers in high places, Richard Grafton was imprisoned. His printer's mark was a graft, or young tree, growing out of a tun.