The east end of the nave is used for services, and there is a fine modern pulpit. Manchester Cathedral possesses some very fine carved woodwork, of which the ancient rood-screen is a good example. The organ is placed above it. On entering the Choir we notice the magnificently-carved stalls with rich tabernacle work, and quaint misereres. This is the work of James Stanley (1485-1509) afterwards Bishop of Ely, assisted by a Manchester merchant named Beck. The bishop's throne is modern, and also the reredos. The three Patron Saints-SS. Mary, George and Denys—appear in the niches. In accounting for this triple dedication Randle Holme states that to St. Mary was the earlier church dedicated, and that Thomas Delaware, "being partly a Frenchman, and partly an Englishman," selected St. Dionysee, ye Patron Saint of France, and St. George, the Patron Saint of England, as patrons of his new Cathedral. This does not seem probable, and it is more likely that the claim of Henry V. to the crown of France at the time of the founding of the college suggested the additional dedication.
The windows have all modern glass. Formerly there was some curious ancient glass; in the east window of the south aisle, Michael and his angels fighting with the dragon; in the east window of the north aisle, SS. Augustine and Ambrose chanting the Te Deum Laudamus; in the clerestory were pictures of the Virgin; and then there were some curious representations of the Trinity. These have all disappeared. Of the modern ones, the most interesting, perhaps, is the Gordon window in the north aisle.
John Huntingdon, the builder of the present choir (1422-1459), lies buried in it, and formerly his tomb was inscribed with the words: Domine, dilexi decorem domus tuæ, and there was a brass with this inscription: Hic jacet Johan Huntingdon Bacc in Decr. Prim. Magister sive custos istius collegii qui de novo construxit istam cancellam, qui obiit ix. mo die xi. bris MCCCCLVIII., cujus animæ proprietur Deus. We could not discover this brass, but on each side of the Lady Chapel entrance is the rebus of the founder, on one side a man hunting, on the other a tun, which "hieroglyphical quiddity" makes Hunting-ton.
Crossing the street to the north is a profoundly interesting building, known as the Chetham Library and Hospital, of which Manchester may be justly proud. Its chequered history has already been partially told, and carries us back to the days when the college of warden and fellows, chaplain and choir-boys, lived here. Now, as we have seen, it is the school, with a noble library attached, founded by that worthy merchant, Humphrey Chetham. As a baron's hall, an ecclesiastical establishment, and a remarkable school, the building presents many features of unique interest, and the grand library is worthy of minute inspection.
Dimensions
| Length of nave and choir | 172 ft. |
| Width of nave and aisles | 114 ft. |
| Length of choir and Lady Chapel | 88 ft. |
| Height of roof | 50 ft. |
| Height of tower | 140 ft. |
| Area | 18,000 sq. ft. |
Principal Building Dates
- (1422-1458)—Choir.
- (1465-1509)—Nave rebuilt, stalls and canopies, chapter-house, chantries of St. George, St. Nicholas, Jesus, Ducie and Radcliffe.
- (1518-1535)—Lady Chapel, Ely Chapel.
- Modern—Baptistry, north and south and west porches, Fraser Chapel, throne, reredos and glass.