"Watch an old building with anxious care; guard it as best you may, and at any cost, from any influence of dilapidation. Count its stones as you would the jewels of a crown. Set watchers about it, as if at the gate of a besieged city; bind it together with iron when it loosens; stay it with timber when it declines. Do not care about the unsightliness of the aid—better a crutch than a lost limb; and do this tenderly and reverently and continually, and many a generation will still be born and pass away beneath its shadow."
Relic of Lynn Siege in Hampton Court, King's Lynn
If this sound advice had been universally taken many a beautiful old cottage would have been spared to us, and our eyes would not be offended by the wondrous creations of the estate agents and local builders, who have no other ambition but to build cheaply. The contrast between the new and the old is indeed deplorable. The old cottage is a thing of beauty. Its odd, irregular form and various harmonious colouring, the effects of weather, time, and accident, environed with smiling verdure and sweet old-fashioned garden flowers, its thatched roof, high gabled front, inviting porch overgrown with creepers, and casement windows, all combine to form a fair and beautiful home. And then look at the modern cottage with its glaring brick walls, slate roof, ungainly stunted chimney, and note the difference. Usually these modern cottages are built in a row, each one exactly like its fellow, with door and window frames exactly alike, brought over ready-made from Norway or Sweden. The walls are thin, and the winds of winter blow through them piteously, and if a man and his wife should unfortunately "have words" (the pleasing country euphemism for a violent quarrel) all their neighbours can hear them. The scenery is utterly spoilt by these ugly eyesores. Villas at Hindhead seem to have broken out upon the once majestic hill like a red skin eruption. The jerry-built villa is invading our heaths and pine-woods; every street in our towns is undergoing improvement; we are covering whole counties with houses. In Lancashire no sooner does one village end its mean streets than another begins. London is ever enlarging itself, extending its great maw over all the country round. The Rev. Canon Erskine Clarke, Vicar of Battersea, when he first came to reside near Clapham Junction, remembers the green fields and quiet lanes with trees on each side that are now built over. The street leading from the station lined with shops forty years ago had hedges and trees on each side. There were great houses situated in beautiful gardens and parks wherein resided some of the great City merchants, county families, the leaders in old days of the influential "Clapham sect." These gardens and parks have been covered with streets and rows of cottages and villas; some of the great houses have been pulled down and others turned into schools or hospitals, valued only at the rent of the land on which they stand. All this is inevitable. You cannot stop all this any more than Mrs. Partington could stem the Atlantic tide with a housemaid's mop. But ere the flood has quite swallowed up all that remains of England's natural and architectural beauties, it may be useful to glance at some of the buildings that remain in town and country ere they have quite vanished.
Mill Street, Warwick