Facsimile Wood Engraving.—“The Century,” Scribner’s, and Harper’s Magazines.
Etching.—Rembrandt, Millet, Meryon, Rajon, and Whistler.
Facsimile Etching.—Brunet-Debaines.
Charcoal.—Lhermitte.
Monochrome Painting.—Mauve and Rossi.
Mezzotint.—Turner’s and Lupton’s reproductions of some of the plates of Turner’s “Liber Studiorum,” Smith’s reproductions of Sir Joshua Reynolds' pictures, and Lucas' plates after Constable.
Photography.—Adam Salomon, Rejlander, and Mrs. Cameron.
Photogravure in facsimile.—A. Dawson, W. Colls, and Scamoni.
Final.
It must not be forgotten that water-colour drawing and etching have both been despised in their time by artists, dealers, and the public, but they have lived to conquer for themselves places of honour. The promising young goddess, photography, is but fifty years old. What prophet will venture to cast her horoscope for the year 2000?