For portraiture a studio is a necessity for obtaining the best results. We shall very briefly discuss the question of studios, for we hold that, provided a studio be large enough and light enough, there is not much else to consider. We have been in several studios, and worked for a considerable time in them, one of which we, having hired, had all to ourselves, so that our remarks are based on the experience of studios photographic, as well as on those of painters and sculptors.
Top and side light.
The best light is undoubtedly a top light and a side light, the side light reaching to within a few feet of the ground. It is a common fallacy among some portrait photographers that the side light should reach to the ground, so that the boots may be lighted. Such an idea evidently arises from a misconception of the thing required; the boots are to be subdued as much as possible, it is the model’s portrait we want, not that of his boots. The studio in this country should, if possible, face north, or north-east, the roof sloping at an inclination of half a right angle. There should be no tall buildings standing near it, as exterior shadows and reflections interfere with the purity of lighting.
Building a studio.
We do not intend to give specifications for the building of a studio, for this has been already admirably done, and we advise any one proposing to build to consult Dr. E. L. Wilson’s “Photographics,” page 163 et seq. |Dr. Wilson’s specification.| In our opinion this description leaves nothing to be desired; this proviso only being made, that the studio be made long enough to use a long-focus lens, that shall give us correct drawing. We have not tried Dallmeyer’s new lenses in a studio, but if quick enough they should be used in preference to all others. Even if these lenses be not quick enough for studio work, no doubt one will soon be made that will be quick enough. |Glazing.| The glazing should not extend from one end of the studio to the other; an unglazed space should be left at each end. By curtains the length of glazing can always be shortened. |Walls.| A grey distemper is perhaps the most suitable colour for the walls.
Home portraiture.
Successful portraits can be taken in ordinary sitting-rooms, but we do not think the best results can be obtained in this way.
Regarding business arrangements and conveniences, we have nothing to do with them.
FURNITURE.
Furniture.