[CHAPTER IX]
SATIRICAL DRAMAS AND FRAGMENTS
| POET OR ARTIST? | [163] |
| LITERARY ACTIVITY | [164] |
| FRANKFURTER GELEHRTEN ANZEIGEN | [165] |
| LETTER OF THE PASTOR | [166] |
| TWO BIBLICAL QUESTIONS | [167] |
| RECASTS GÖTZ VON BERLICHINGEN | [167] |
| SATIRICAL PLAYS | [169] |
| PROMETHEUS | [175] |
| MAHOMET | [181] |
| ADLER UND TAUBE | [183] |
| KÜNSTLERS ERDEWALLEN | [184] |
[CHAPTER X]
WERTHER—CLAVIGO
1774
| GOETHE'S NEED OF EXTERNAL STIMULUS | [185] |
| GOETHE AND THE BRENTANOS | [186] |
| ORIGIN OF WERTHER | [187] |
| ENGLISH INFLUENCE ON WERTHER | [188] |
| PUBLICATION OF WERTHER | [189] |
| GOETHE AND WERTHER | [190] |
| SECOND PART OF WERTHER | [191] |
| WERTHER AND GOETHE | [193] |
| INFLUENCE OF WERTHER | [196] |
| THE KESTNERS AND WERTHER | [198] |
| WERTHERISM | [199] |
| CLAVIGO | [200] |
| DRAMATISED FROM BEAUMARCHAIS | [200] |
| ORIGIN OF CLAVIGO | [202] |
| ITS PLOT | [202] |
| CONSTRUCTED ON CLASSICAL MODELS | [205] |
| CLAVIGO AND GOETHE | [206] |