We shall commence our historical sketch from the fifth century, at which period we can trace the blending of the Roman with the barbaric costume--namely, the combination of the long, shapeless garment with that which was worn by the Germans, and which was accompanied by tight-fitting braies. Thus, in the recumbent statue which adorned the tomb of Clovis, in the Church of the Abbey of St. Geneviève, the King is represented as wearing the tunic and the toga, but, in addition, Gallo-Roman civilization had actually given him tight-fitting braies, somewhat similar to what we now call pantaloons. Besides this, his tunic is fastened by a belt; which, however, was not a novelty in his time, for the women then wore long dresses, fastened at the waist by a girdle. There is nothing very remarkable about his shoes, since we find that the shoe, or closed sandal, was worn from the remotest periods by nearly all nations (Figs. [402] and [403]).

[Fig. 402.]--Costume of King Clovis (Sixth Century).--From a Statue on his Tomb, formerly in the Abbey of St. Geneviève.

[Fig. 403.]--Costume of King Childebert (Seventh Century).--From a Statue formerly placed in the Refectory of the Abbey of St. Germain-des-Prés.

The cloak claims an equally ancient origin. The principal thing worthy of notice is the amount of ornament with which the Franks enriched their girdles and the borders of their tunics and cloaks. This fashion they borrowed from the Imperial court, which, having been transferred from Rome to Constantinople during the third century, was not slow to adopt the luxury of precious stones and other rich decorations commonly in use amongst Eastern nations. Following the example of Horace de Vielcastel, the learned author of a history of the costumes of France, we may here state that it is very difficult, if not impossible, to define the exact costume during the time of the early Merovingian periods. The first writers who have touched upon this subject have spoken of it very vaguely, or not being contemporaries of the times of which they wrote, could only describe from tradition or hearsay. Those monuments in which early costume is supposed to be represented are almost all of later date, when artists, whether sculptors or painters, were not very exact in their delineations of costume, and even seemed to imagine that no other style could have existed before their time than the one with which they were daily familiar. In order to be as accurate as possible, although, after all, we can only speak hypothetically, we cannot do better than call to mind, on the one hand, what Tacitus says of the Germans, that they "were almost naked, excepting for a short and tight garment round their waists, and a little square cloak which they threw over the right shoulder," and, on the other, to carry ourselves back in imagination to the ancient Roman costume. We may notice, moreover, the curious description given of the Franks by Sidoine Apollinaire, who says, "They tied up their flaxen or light-brown hair above their foreheads, into a kind of tuft, and then made it fall behind the head like a horse's tail. The face was clean shaved, with the exception of two long moustaches. They wore cloth garments, fitting tight to the body and limbs, and a broad belt, to which they hung their swords." But this is a sketch made at a time when the Frankish race was only known among the Gauls through its marauding tribes, whose raids, from time to time, spread terror and dismay throughout the countries which they visited. From the moment when the uncultivated tribes of ancient Germany formally took possession of the territory which they had withdrawn from Roman rule, they showed themselves desirous of adopting the more gentle manners of the conquered nation. "In imitation of their chief," says M. Jules Quicherat, the eminent antiquarian, "more than once the Franks doffed the war coat and the leather Belt, and assumed the toga of Roman dignity. More than once their flaxen hair was shown to advantage by flowing over the imperial mantle, and the gold of the knights, the purple of the senators and patricians, the triumphal crowns, the fasces, and, in short, everything which the Roman Empire invented in order to exhibit its grandeur, assisted in adding to that of our ancestors."

Figs. [404 and 405].--Saints in the Costume of the Sixth to the Eighth Centuries.--From Miniatures in old Manuscripts of the Royal Library of Brussels (Designs by Count H. de Vielcastel).

One great and characteristic difference between the Romans and the Franks should, however, be specially mentioned; namely, in the fashion of wearing the hair long, a fashion never adopted by the Romans, and which, during the whole of the first dynasty, was a distinguishing mark of kings and nobles among the Franks. Agathias, the Greek historian, says, "The hair is never cut from the heads of the Frankish kings' sons. From early youth their hair falls gracefully over their shoulders, it is parted on the forehead, and falls equally on both sides; it is with them a matter to which they give special attention." We are told, besides, that they sprinkled it with gold-dust, and plaited it in small bands, which they ornamented with pearls and precious metals.

Whilst persons of rank were distinguished by their long and flowing hair, the people wore theirs more or less short, according to the degree of freedom which they possessed, and the serfs had their heads completely shaved. It was customary for the noble and free classes to swear by their hair, and it was considered the height of politeness to pull out a hair and present it to a person. Frédégaire, the chronicler, relates that Clovis thus pulled out a hair in order to do honour to St. Germer, Bishop of Toulouse, and presented it to him; upon this, the courtiers hastened to imitate their sovereign, and the venerable prelate returned home with his hand full of hair, delighted at the flattering reception he had met with at the court of the Frankish king. Durinig the Merovingian period, the greatest insult that could be offered to a freeman was to touch him with a razor or scissors. The degradation of kings and princes was carried out in a public manner by shaving their heads and sending them into a monastery; on their regaining their rights and their authority, their hair was always allowed to grow again. We may also conclude that great importance was attached to the preservation of the hair even under the kings of the second dynasty, for Charlemagne, in his Capitulaires, orders the hair to be removed as a punishment in certain crimes.

The Franks, faithful to their ancient custom of wearing the hair long, gradually gave up shaving the face. At first, they only left a small tuft on the chin, but by degrees they allowed this to increase, and in the sixth and seventh centuries freemen adopted the usual form of beard. Amongst the clergy, the custom prevailed of shaving the crown of the head, in the same way as that adopted by certain monastic orders in the present day. Priests for a long time wore beards, but ceased to do so on their becoming fashionable amongst the laity (Figs. [406, 407]). Painters and sculptors therefore commit a serious error in representing the prelates and monks of those times with large beards.

As far as the monumental relics of those remote times allow us to judge, the dress as worn by Clovis underwent but trifing modifications during the first dvnasty; but during the reigns of Pepin and Charlemagne considerable changes were effected, which resulted from the intercourse, either of a friendly or hostile nature, between the Franks and the southern nations. About this time, silk stuffs were introduced into the kingdom, and the upper classes, in order to distinguish themselves from the lower, had their garments trimmed round with costly furs (see chapter on Commerce).

[Fig. 406 and 407].--Costume of the Prelates from the Eighth to the Tenth Centuries--After Miniatures in the "Missal of St. Gregory," in the National Library of Paris.