The cypher and arms of Henry III. (16th century.)

[Fig. 427.]--Costume of Charlotte of Savoy, second Wife of Louis XI.--From a Picture of the Period formerly in the Castle of Bourbon-l'Archambault, M. de Quedeville's Collection, in Paris. The Arms of Louis XI. and Charlotte are painted behind the picture.

[Fig. 428.]--Costume of Mary of Burgundy, Daughter of Charles the Bold, Wife of Maximilian of Austria (end of the Fifteenth Century). From an old Engraving in the Collection of the Imperial Library, Paris.

The introduction of Italian fashions, which in reality did not much differ from those which had been already adopted, but which exhibited better taste and a greater amount of elegance, dates from the famous expedition of Charles VIII. into Italy (Figs. [429 and 430]). Full and gathered or puffed sleeves, which gave considerable gracefulness to the upper part of the body, succeeded to the mahoitres, which had been discarded since the time of Louis XI. A short and ornamental mantle, a broad-brimmed hat covered with feathers, and trunk hose, the ample dimensions of which earned for them the name of trousses, formed the male attire at the end of the fifteenth century. Women wore the bodies of their dresses closely fitting to the figure, embroidered, trimmed with lace, and covered with gilt ornaments; the sleeves were very large and open, and for the most part they still adhered to the heavy and ungraceful head-dress of Queen Anne of Brittany. The principal characteristic of female dress at the time was its fulness; men's, on the contrary, with the exception of the mantle or the upper garment, was usually tight and very scanty.

We find that a distinct separation between ancient and modern dress took place as early as the sixteenth century; in fact, our present fashions may be said to have taken their origin from about that time. It was during this century that men adopted clothes closely fitting to the body; overcoats with tight sleeves, felt hats with more or less wide brims, and closed shoes and boots. The women also wore their dresses closely fitting to the figure, with tight sleeves, low-crowned hats, and richly-trimmed petticoats. These garments, which differ altogether from those of antiquity, constitute, as it were, the common type from which have since arisen the endless varieties of male and female dress; and there is no doubt that fashion will thus be continually changing backwards and forwards from time to time, sometimes returning to its original model, and sometimes departing from it.

Figs. [429 and 430].--Costumes of Young Nobles of the Court of Charles VIII., before and after the Expedition into Italy.--From Miniatures in two Manuscripts of the Period in the National Library of Paris.

During the sixteenth century, ladies wore the skirts of their dresses, which were tight at the waist and open in front, very wide, displaying the lower part of a very rich under petticoat, which reached to the ground, completely concealing the feet. This, like the sleeves with puffs, which fell in circles to the wrists, was altogether an Italian fashion. Frequently the hair was turned over in rolls, and adorned with precious stones, and was surmounted by a small cap, coquettishly placed either on one side or on the top of the head, and ornamented with gold chains, jewels, and feathers. The body of the dress was always long, and pointed in front. Men wore their coats cut somewhat after the same shape: their trunk hose were tight, but round the waist they were puffed out. They wore a cloak, which only reached as far as the hips, and was always much ornamented; they carried a smooth or ribbed cap on one side of the head, and a small upright collar adorned the coat. This collar was replaced, after the first half of the sixteenth century, by the high, starched ruff, which was kept out by wires; ladies wore it still larger, when it had somewhat the appearance of an open fan at the back of the neck.

If we take a retrospective glance at the numerous changes of costume which we have endeavoured to describe in this hurried sketch, we shall find that amongst European nations, during the Middle Ages, there was but one common standard of fashion, which varied from time to time according to the particular custom of each country, and according to the peculiarities of each race. In Italy, for instance, dress always maintained a certain character of grandeur, ever recalling the fact that the influence of antiquity was not quite lost. In Germany and Switzerland, garments had generally a heavy and massive appearance; in Holland, still more so (Figs. [436 and 437]). England uniformly studied a kind of instinctive elegance and propriety. It is a curious fact that Spain invariably partook of the heaviness peculiar to Germany, either because the Gothic element still prevailed there, or that the Walloon fashions had a special attraction to her owing to associations and general usage. France was then, as it is now, fickle and capricious, fantastical and wavering, but not from indifference, but because she was always ready to borrow from every quarter anything which pleased her. She, however, never failed to put her own stamp on whatever she adopted, thus making any fashion essentially French, even though she had only just borrowed it from Spain, England, Germany, or Italy. In all these countries we have seen, and still see, entire provinces adhering to some ancient costume, causing them to differ altogether in character from the rest of the nation. This is simply owing to the fact that the fashions have become obsolete in the neighbouring places, for every local costume faithfully and rigorously preserved by any community at a distance from the centre of political action or government, must have been originally brought there by the nobles of the country. Thus the head-dress of Anne of Brittany is still that of the peasant-women of Penhoét and of Labrevack, and the hennin of Isabel of Bavaria is still the head-dress of Normandy.

[Fig. 431.]--Costumes of a Nobleman or a very rich Bourgeois, of a Bourgeois or Merchant, and of a Noble Lady or rich Bourgeoise, of the Time of Louis XII.--From Miniatures in Manuscripts of the Period, in the Imperial Library of Paris.

[Fig. 432.]--Costume of a rich Bourgeoise, and of a Noble, or Person of Distinction, of the Time of Francis I.--From a Window in the Church of St. Ouen at Rouen, by Gaignières (National Library of Paris).