[Fig. 237.]--Banner of the Nail-makers of Paris, with Armorial Bearings of the Corporation.
[Fig. 238.]--Banner of the Harness-makers of Paris, with the Armorial Bearings of the Corporation.
[Fig. 239.]--Banner of the Wheelwrights of Paris, with the Armoral Bearings of the Corporation.
[Fig. 240.]--Banner of the Tanners of Vie, with the Patron Saint of the Corporation.
[Fig. 241.]--Banner of the Weavers of Poulon, with the Patron Saint of the Corporation.
These communities had their statutes and privileges; they were distinguished at public ceremonials by their liveries or special dress, as well as by their arms and banners (Figs. [235] to [241]). They possessed the right freely to discuss their general interests, and at meetings composed of all their members they might modify their statutes, provided that such changes were confirmed by the King or by the authorities. It was also necessary that these meetings, at which the royal delegates were present, should be duly authorised; and, lastly, so as to render the communication between members more easy, and to facilitate everything which concerned the interests of the craft, artisans of the same trade usually resided in the same quarter of the town, and even in the same street. The names of many streets in Paris and other towns of France testify to this custom, which still partially exists in the towns of Germany and Italy.
[Fig. 242.]--Ceremonial Dress of an Elder and a Juror of the Corporation of Old Shoemakers of Ghent.
The communities of artisans had, to a certain extent, the character and position of private individuals. They had the power in their corporate capacity of holding and administrating property, of defending or bringing actions at law, of accepting inheritances, &c.; they disbursed from a common treasury, which was supplied by legacies, donations, fines, and periodical subscriptions.
These communities exercised in addition, through their jurors, a magisterial authority, and even, under some circumstances, a criminal jurisdiction over their members. For a long time they strove to extend this last power or to keep it independent of municipal control and the supreme courts, by which it was curtailed to that of exercising a simple police authority strictly confined to persons or things relating to the craft. They carefully watched for any infractions of the rules of the trade. They acted as arbitrators between master and man, particularly in quarrels when the parties had had recourse to violence. The functions of this kind of domestic magistracy were exercised by officers known under various names, such as kings, masters, elders, guards, syndics, and jurors, who were besides charged to visit the workshops at any hour they pleased in order to see that the laws concerning the articles of workmanship were observed. They also received the taxes for the benefit of the association; and, lastly, they examined the apprentices and installed masters into their office ([Fig. 242]).
The jurors, or syndics, as they were more usually called, and whose number varied according to the importance of numerical force of the corporation, were generally elected by the majority of votes of their fellow-workmen, though sometimes the choice of these was entirely in the hands of the great officers of state. It was not unfrequent to find women amongst the dignitaries of the arts and crafts; and the professional tribunals, which decided every question relative to the community and its members, were often held by an equal number of masters and associate craftsmen. The jealous, exclusive, and inflexible spirit of caste, which in the Middle Ages is to be seen almost everywhere, formed one of the principal features of industrial associations. The admission of new members was surrounded with conditions calculated to restrict the number of associates and to discourage candidates. The sons of masters alone enjoyed hereditary privileges, in consequence of which they were always allowed to be admitted without being subjected to the tyrannical yoke of the association.